How to Write a Novel During a Pandemic

Previously on 115journals.com, I wrote about dreaming the beginning of my soon-to-be-published novel, I Trust You to Kill Me, set in Colombia in 2120. I said that I dreamed the first chapter. Every night I went on dreaming about the place and the people I had imagined. I had cancelled my in cleaner because she was also working in the front lines in Canadian Tire. As I went about my house keeping, the next scene would write itself in my head and I would word process it in the afternoon.

I was so happy. I couldn’t visit anyone. I masked up and scuttled into the grocery store at 7 a.m, senior hours, but I was happy because my apartment thronged with the ever-growing number of characters in the book. They’d get into life-threatening predicaments and then figure their way out. They were contending with the end of the world, or, at least, the end of civilization.

I had given up listening to Canada’s Prime Minister, who had to do his updates on the steps of the house he was living in because he and his wife got Covid. I switched to the Cuomo brothers, Chris in his basement for the same reason and Andrew, somewhere in Albany, looking official, quoting Churchill, “If you’re going through hell, keep on going.” I had no idea these steady, supportive men were actually deeply flawed.

I had cajoled six people to be my beta readers and I shared how happy I was with the book. When it was finished and edited and edited, I had it copied. Each copy cost about $50 and Canada Post earned about half that getting it to far-flung destinations. I suppose monks copying it in calligraphy would have cost more.

Now I was free to start the second book in the series.

But. Hang on. Word came back that it was unreadable. People would add that, no doubt, I had a good book in my head, but I had left most of it out. My friends were at the breaking point. One read me the first 13 pages aloud. Each sentence provided me with half a page or a page of notes. The one writer in the group had put aside her own work to read it. She was the most distraught of all. She sent me a short response, but managed to lose her copious notes. Another one didn’t lose hers, but never intended me to see them.

The trouble was I lost the half the novel. It just vanished from my computer and neither Microsoft nor Apple nor the Geek Squad could find it. That led me to pick up the heavily annotated one from the annotater. Well, she was out, but the door was unlocked. It was mine after all.

Holy Crow! Those comments. They were things I used to think while marking grade nine short stories, but I could never, never give to tenderhearted students.

I sat down at my desk, which looked out high over the neighborhood, all the way to Lake Ontario. It was August. Okay, I said to myself, I get to do it all over again.

Pandemic psychosis manifests in a multitude of ways. For example, I was pretty sure there shouldn’t be a hard lump just there, but I would get to it later. And I did, several weeks later. Some surgeries go ahead even in the middle of pandemics.

When I glanced up from my computer, I was vaguely aware of the trees turning yellow and orange and the pile of pages growing taller, even taller than before.

It looked as if we could have a smallish Christmas where we actually ate with a few other people. I copied the pages myself this time. The writer gamely offered to read the new version, but I felt I had done her enough harm. The others, great readers and frank critics all got new copies, well, some of them did.

But my chief, reliable critic, received the new, longer, much longer, book and unceremoniously backed out. “But you promised!” Now I’m I actually felt a little down,

I was fooling around on Twitter one day and found a very old DM from a woman who offered to edit my book. It was 2 or 3 years old, but she was still at the job. I sent her a 10 page sample – chapter two – and she sent me back a very competent and encouraging response.

In January, I sent her the whole book. Here was a woman, who didn’t mind reading on line. She was busy though. Of course I got impatient, but her response when it came blew my mind.

Apparently, it was good.

Stay tuned for further adventures of I Trust You to Kill me, even the origin of that very old phrase from a Sufi Master.

I Am Writing This For You

I am writing this for you, not for everyone, for you. I want you to know this.

I have been grieving for a very long time. I have been wracked by loss and fear, gripped by nameless terror, in utter despair. I grieved for the death of one man and the loss of another.

I sought to comfort myself by repeating the 23rd Psalm. David found protection and peace and plenty under the Shepherd’s watchful eye.

I mourned tall, thin, dark men who turned their faces and went utterly away taking all music, poetry and joy.

Then it came to me again as it had years before as I turned north off the Rosedale Valley Road. In the midst of despair. I am still in love. The shadow of what I love is gone. The one I truly love remains.

He is here.

(Mostly he and thoroughly, inevitably here.)

The poet king, the lyre player, the one who bends to wrap his cloak around Ruth on the threshing floor, the one who stays up all night talking on the roof, the far-see-er, the one who burns, the one who easily laughs, the one whose love annhilates.

No wonder I can’t find the space to be or a way to live my life. He’s hogging the room. He takes it all. He doesn’t share. We are one or I am nothing. We are one and I am nothing. Consumed by love.

Interlude: between two all-is-wells

This post is an interlude or intermission between my last blog post “All Is Well” and my next one “All Is Well: part 2”.

https://115journals.com/2018/10/06/all-is-well-another-contradiction-to-despair/

So Edgar comes on stage in Act 4, scene 1 of King Lear, disguised as the mad beggar Poor Tom. He is all but naked and covered in mud, a disguise to prevent his capture and execution. His illegitimate brother Edmund has framed him, convincing their father, the Duke of Gloucester, that Edgar is plotting to commit patricide.

Let us note that Edgar actually loves his misguided father very much.

Edgar is out on the heath, the treeless moor, as a vicious storm gathers. He says a few words reconciling himself to his abject state, when suddenly an old man leads Gloucester into view. Gloucester is blind. His eyes have just been gouged out by Cornwall, Edmund’s ally.

Edgar says, “Oh gods! Who is it can say ‘I am at the worst’.? I am worse than e’er I was.”….
“And worse I may be yet. The worst is not/ So long as we can say ‘This is the worst’.

The Old Man wisely hands blind Gloucester over to Poor Tom, for in aiding the Duke, the Old Man is risking his own life.

Gloucester observes “Tis the times plague when madmen lead the blind.”

(Let’s ignore the relevance of that remark to our own time.)

In other words, in my earlier blog post “All Is Well: another contradiction to despair”, I got myself all wound up about what seemed to be the worst possible circumstances. It took only a few days for life to teach me otherwise.

It will take a few more for me to process this new insight enough to write “All Is Well: part 2”.

As usual, I will draw on my sister Georgia’s support. She is gobsmacked by events as well, but no less convinced than she ever was that, to qoute Hildegard of BIngem, “All shall be well. And all shall be well. And all manner of things shall be well.”

The #%*$ universe is unfolding as it should.

A Memory of Laughter: contradicting sexual abuse

Brother et moi on a bench in Bois Fort

Above all, I love to laugh. Well, who doesn’t?

I once embarrassed a whole theater section of students at Stratford. We were watching one of Shakespeare’s comedies. I was rollicking with laughter, tears streaming down my cheeks. They turned as one at my unseemly outburst to reprimand me, their teacher. It’s true, they just didn’t get the joke or understand how hilariously the sight gag echoed the lines. It was probably something about cross-gartering and yellow stockings. But even if they had found it funny, they would never have given in to such gut-wrenching, wholehearted, life-affirming guffaws.

As a young woman I could set a table a-roar. The staff cafeteria at lunch time was all the stage I needed. Hapless administrations feared my satiric tongue. Once for two weeks, I had people weeping with glee – over my ongoing, mishandled root canal.

As a lover of laughter, I was an amateur compared to my younger brother. Now there was a funny man. A funny boy originally, of course, and very annoyingly so. He grew up to travel the world and bring back comic stories of – for example – being jailed in Turkey where feeding prisoners was optional. Doesn’t sound funny. You had to be there.

I fell on tough times.

He and I ended up on a road trip in a restaurant in the Big Sur. I was having some vegetarian meal of rice and soy. He was eating steak. He put down his knife and fork and looked at me.

“What happened to you, Joyce?” he said. “You used to laugh.”

We didn’t find a motel room until after midnight. He came out of the office waving the key.

“I told her you were my sister,” he called. “I think she believed me.” He was so overcome with his own wit, he could barely get the words out.

I gave up vegetarianism. I gave up meditating. I gave up spiritualism.

I laughed.

Last Thursday, I listened to Dr. Ford describing a sexual assault she endured. A senator on the Supreme Court Confirmation Committee asked her what the most compelling memory of the incident was. She replied, “The laughter”.

I fell into a quiet study. I declined hourly into a deeper and deeper depression. I began to lose track of myself. I spent Saturday in such dissociation that I couldn’t even binge watch Netflix. I wasn’t sure who I was.

And all the while, I heard the laughter. Not her assailants’ laughter but my own. A lone assailant doesn’t laugh.

Sunday, it occurred to me to cry. That was a breakthrough. It perked me up.

Just as I got myself functioning enough to go to Whole Foods, my brother Face-timed me from Brussels. He was sitting on the bench on the sidewalk in front of his house, smoking a joint. He was wearing a red t-shirt that said, “Beast”. He told me a story about weevils and moths and smoke grenades to get rid of them and could they actually be in his Oreos – he had just eaten three and forgot to check. But Yagoda, his Polish cleaner, whose name means Blueberry, would come and fix it. And as he talked, I remembered to chuckle just a little.

Here was a man who could fall off a ladder, break both feet and laugh that the plaster casts gave his toes claustrophobia. But then I was the girl who could laugh about a root canal.

I would just like to say – and you know who you are – my laughter is bigger than yours. Love is like that.

https://115journals.com/2012/07/20/i-dream-of-etherica-life-changing-dream-2/

See the link for an older, fuller account of the Big Sur incident.

 

 

The Crying Chair

This is the crying chair. It sits in my entrance way on a tiled floor. Good rocking there and tissues at the ready.

I saw it first at Christmas 1960 when I dragged my extremely pregnant body upstairs to my mother-in-law’s attic. She was storing it for a friend, but I could have it to rock the baby, temporary loan.

It was cream colored then. At some point, my husband painted it antique green. (When was the era of antiquing?) During a desperate teachers’ strike, our house became the place for coffee break. Deep winter. Constant arguing. Months of poverty. My two children unschooled as well, of course. To avoid insanity, I carried it down to the basement and stripped the paint off and oiled it. I loved the chair. It saved me.

I rocked my large self in it through most of a dark January 1961. When she arrived, my daughter, like her mother before her, cried. If she had cried for Canada, she would have won the gold. My father slept with his foot out of bed rocking my cradle. I rocked her in the big, comfortable chair.

Her brother arrived a year later. By then his sister was noshing on pureed food, so her colic had cleared up. Anyway her real live doll-brother made her so happy, she didn’t need to cry. He, in turn, was fascinated by her -his own non-stop performance artist/teacher, and calm by nature. Still I rocked them both before bed and at teething time, one on each knee, singing every song I knew including ‘House of the Rising Sun”

Some nights, however, I cried as I sang. Their father taught day school, night school, took night courses and tutored on Sunday. We had dinner together. That was it. A quiet, tasteful time, full of conversation. No. Two babies who needed to be fed while Daddy tried to sort out the evening lesson plan.

I had studied English & Philosophy and Drama. I was the only female survival in the Logic class by third year. I had two years of teaching English under my belt as well as teacher training. I had subdued 50 hormone-ridden grade 10s in a classroom with 48 seats. Now I was washing six dozen cloth diapers twice a week.

I started reciting Shakespeare as I bathed the kids together in the big tub.

Eventually, my husband intervened. “What would you do right now, if you could do anything?” he asked. “Put on my navy suit,” I said. “Where would you go?” he asked. “Cedarbrae Collegiate,” I replied. “You want to go back to teaching,” he said.

How could I? It was 1963. My job was to nurture these priceless babies. It just wasn’t done. But before we got up from the grey card table that functioned as our dining surface, we had the plans underway. We would hire a nanna, carefully vetted. I would get a job easily. Populations were booming and my clever husband could stop working all the time. My terror and relief could be soothed only by more rocking those bigger and bigger babies.

The rocking chair went with us to a new house. We were now making almost $12,000 together. It was an ideal place for growing children, a hill, with a flagpole and a martin house, wilderness, gardens, fences and eventually a pool. There were parks galore and a very high cliff above Lake Ontario for risking young lives. Not that we worried. They had bicycles. They had each other.

The rocking chair sat in the corner of the rec room beside the sliding door and in front of the fireplace, which any of the four of us could choose to light. Nanna kept it swept free of ashes.

Then the crying chair came back into its own. I was the one in it. It was 2 a.m., where was my husband?

The chair and I set out on our travels. Sans the others. We moved to Heyworth Ave., to Main St., to Fishleigh Dr., to the town of Zephyr, to Mississauga, to Evans Ave., to Stephen Dr. and back to Mississauga. I can picture where my chair sat in each of these places. All except 3 had my name on the deed. One had my sister’s and two I signed leases for. A good deal of rocking and crying went on in those 40 years.

Meanwhile my ex-husband had lost his much younger wife to cancer. He had been diagnosed with stage 4 cancer the same year, 2010. We welcomed him back into the family at Easter 2012. (“Should of stuck with the old girls,” my sister greeted him cheerily.

He and I had lunch last week. A two hour lunch tires out this 82-yr-old retired teacher, but he seemed to want to come to my 14th floor suburban apartment. We did have to talk over a few details concerning his estate. There have been no bad tests recently but…

I pointed out the crying chair. This sent him into a reflective mood. He always cried easily-just maybe not over me. Intimations of mortality can bring that on. He regretted our son had not continued his painting and sculpting. I thought that a youthful art career is like a teen-aged rock band. Most people grow out of it.

Hubby, for example had chosen math and physics, over art. Even got to work with a nuclear reactor. (Is that significant?)

Anyway, grief is always the same, not so much about loss as the f-ups that we regret.

So the chair waits invitingly, inevitably.

Feel free to drop by and cry until you’re done.

 

 

 

Who’s your Psychopomp?

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As for qualifications, I have camped on the south shore of the Gulf of Corinth at the mouth of the River Styx and crossed it several times. So have all the other residents of Akratas. No that won’t do. (The Ancient Greeks believed that Charon, the boatman ferried them across the River Styx to the Underworld. They were buried with coins on their eyelids to pay him for his service.)

As a child, I was shut in boxes. Maybe that was my early training.

At a certain point in my life, the recently dead started turning up, usually sitting in a chair in the corner of my bedroom. Just sitting. Never talking. Or in my dreams, they phoned me, never saying anything sensible and never answering questions. My father’s spirit persistently offers advice such as ‘Buy lottery tickets’. He was a villain on earth, but he has spent 30 years on the other side and seems to be a reformed being. He even shows up at hospital bedsides to comfort those he once harmed. So they tell me.

Somewhere along the line, my family started to assume that I was a conductor of the dead, a psychopomp. They didn’t use that word of course. It is not a role I aspire to. At the moment, for example, I have a recurring image of a man who has passed over, but doesn’t believe in the afterlife. He is huddled in a fetal position with his ears covered, pretending he is not conscious. I repeat the 23rd Psalm to comfort him and, alternately, offer to give him a swift kick.

I’m not religious at this point, but I remembered that comforting song of David, and thought it might help – Josh, let’s call him Josh. If you feel inclined, you could join me in your own way, encouraging him to “Wake up! Wake up! It’s not so bad. You really are forgiven.”

When I uploaded my e-book, Hour of the Hawk, Amazon called ‘psychopomp’ a spelling error. An aberration, a delusion, perhaps, but not a spelling error.

Creating my main character, Joanna Hunter, I saddled her with that ‘ability’ as well as a conscience which speaks to her in her great aunt’s voice, admonishing her to fulfill her duty.

Her first duty is to attend to Tom Braddock who has been mauled to death, in his own backyard, by an angry bear. Well, of course an ‘angry bear’. He would hardly have been killed by a grateful, happy bear, even though he did persist in feeding his bear friends honey in a tire swing. And the bear had good reason for being angry, although not necessarily at Tom.

There are other deaths. It’s a murder mystery after all. But those Departed have enough imagination to manage on their own.

As you will, no doubt, when the time comes. Just be sure to cure yourself of the idea there is a hell. Pretty sure we are doing our stint there, right here on earth. Like my father we may have much to learn in the afterlife, but as a school it’s much more like Play Mountain Place than the boarding school Prince Charles attended. It seems to me, the afterlife can be whatever you think it is. With night school courses in empathy.

For heaven’s sake, don’t call on me to guide you.

To purchase Hour of the Hawk as an e-book go to joycehowe.com. It will be available as a paperback from Amazon in January 2018.