On Turning 82

This was my thirtieth year to heaven, Dylan Thomas wrote in 1944 in his lyrical and joyful way. I was 30 when I fell in love with that line. That was a good year for me, 1967. It was the year we moved our young family to the house under the hill, where pheasants called in the copse above, where we planted rock gardens and shrub gardens and put up a martin house and built a dry stone wall around a pool. It was the year I got a job as assistant English head at the school down the street, where my husband was head of math. It was the year Canada turned 100. Everything was going to be fine.

Of course I knew that the poet had one last – joyful, I hope – alcoholic binge one November day in 1954 and never got to write This is my fortieth year to heaven, I also knew that he had admonished us not to go gentle into that good night, but to rage against the dying of the light. It seems as if Thomas had an ambivalent attitude to death. Or life. Like many of us.

This is my eighty second year to heaven. Too late to scan. I should have written this two years ago.

I want to say I never expected to live this long and then impress you with all the reasons why: murderous parents, malignancy, suicidal inclination, but it is truer to say I never intended to live this long. At least, the conscious part of me, presumably the part that writes, did not intend to.

I intended to get my siblings to live into adulthood. Then having recklessly brought two more souls into the world, I wanted to do the same for them. So forty two?

That brought me to 1978 and a dark time when I bought only the smallest quantities of pain killers and never looked at bridge abutments on the highway. The next thing I knew a persistent vision of a grandchild called me back. Another generation to get through childhood.

Would you believe that now there is yet another? I’m not in the front line any more, of course, and this little girl is a merry soul who faces no immediate threat.

Except the world as we know it.

My belief is that the real me always intended to grow old, She kept it a secret from me because I couldn’t deal with longevity. She was right.

This week, I did the driver retest mandated for the elderly here in my jurisdiction. It involved sitting in a room of mostly little, old people who found drawing a clock showing ten after eleven a challenge. The instructor pleaded with us to make a list of alternatives to driving which we would shortly have to use. As I merged into rush hour traffic at 100 k. an hour on the busiest highway in North America without breaking a sweat, I thought perhaps the rumor of my decline was premature.

Here’s what I loved: babies, apple orchards, cherry trees in blossom, the full moon over the Tioga Pass, the beach on the Gulf of Corinth, a bunch of pre-schoolers crazy playing by themselves, a teen-aged boy of a Raleigh Racer, his older self in a racing green MGB, the bridge on the Seine near Notre Dame, mountains, pine trees, blue birds, coming about on a sailboat in a good wind, a feather bed, a kite straining at its leash high above Myrtle Beach, mockingbirds, the trade wind through an open window at 2 p.m. on Maui, orange blossoms scented from high on a wall in Morocco, Venus seen from a farmhouse veranda, a brook running with thaw melt, bells rung for victory, the Warsaw Concerto, a big, old Gardenia tree, an enormous date palm, a bench in Bois Fort, roast beef and Yorkshire pudding, sterling silver, barn owls, swallows, hawks. I have to stop here. There’s a party.

 

 

Hillbilly Elegy: reflection #2

Netflix is premiering Hillbilly Elegy, starring Glenn Close next week, so I have re-posted two posts about how J.D. Vance’s book reflects my own experience farther north.

In my last post, ‘Hillbilly Elegy: a personal reflection’, I related J.D. Vance’s experience in a family from a Kentucky holler transplanted to an Ohio steel town, to my own. We left the Hill in the Eastern Townships of Quebec to come to a steel town in Ontario.

I pointed out that an elegy is a lament for the dead. But, honestly, who could lament the passing of such a class of people, prone to violence, alcoholism, drug addiction, lack of ambition, despair and, finally, sloth?

The short answer is me.

After I posted the article, I began to feel very sad. Was it just the mountain I missed, the sunny open hay fields, the granite and the slate, the noisy trout streams and the deep, sighing woods? Surely it could not be the macho male culture.

My young uncles, younger than me were my playmates initially. There was a young aunt too. Together we four, armed with sandwiches and a wire handled bottle of spring water, would hike off to the nearest brook to cool off. We jumped in the hay mow together, played ‘Kick the Can’ and held country music fests on the roof of the garage. Their father, my maternal grandfather, would sit with us on the porch as evening gathered, and point out Venus. He called the porch the ‘piazza’ to make us laugh.

Ostensibly, it was a teetotal society. Beer and booze in general were spoken of in whispers.

Because, at the time, I was my father’s only child, I got a glimpse into the hidden side of our community, quite unlike the church yard where the ladies stooped as the minister arrived in case their dresses were too short.

In this other world, the backwoods camps, there was plenty of hooch made by my great grandfather and served in bean cans. Rinsed at least once. The latest kill, in or out of season, would be on display. There would be much laughter at jokes I couldn’t really understand, and bad language.

Eventually, my young uncles’ voices got deeper and rougher. They left school at the end of grade seven and began hard labor in their early teens.

When my husband and I, with professional careers and two children, went back to the hill for Christmas, the ‘boys’ took my citified husband off to such a camp on snow mobiles. They didn’t come back that night. I was, of course, frantic. They had got him roaring drunk, a familiar and manageable state for them. In the morning out hunting, they handed my husband a rifle and dared him to shoot a ground hog sitting on a stump. He shot it through the eye and never forgave himself. (Either that or Hitler turned him into a really annoying pacifist.)

What’s not to love?

On the other hand, there was the Guild. The women met in the church hall, a splendid structure with an art noveau interior, a curtained stage and a kitchen. The dances that were held there were a kind of bacchanalia for us kids. The Guild meetings were more sedate. Perhaps we played with the crayons and paper from the church’s Sunday School room. The women sat in a circle and conducted business, usually about projects they were undertaking. Then they got on with the quilt they were piecing together to raffle off, or they  took up their knitting, grey wool socks for the soldiers after 1939.

There was tea and home baking – cookies, squares, even a frosted cake. Not the luxurious spread of the oyster suppers or chicken dinners that ended with a glut of pie, but sugar nonetheless. Or some syrup substitute as rationing came in.

At the dances, the men would filter outside while the fiddle and the piano played South of the Border, Down Mexico Way. What went on out there, besides laughing and smoking was ignored, although female noses turned up at some of the returnees.

Guild meetings were altogether safer. For a year, I was the only baby on the Hill. I would have been adored by all those baby-loving women even if I were ugly. They led me to believe I was not. I remember lying on the edge of the stage being fitted into my snowsuit, while Maude, my mother’s cousin, or Mae, a great aunt on one side and step-great grandma on the other, dressed me while singing Bye Baby Bunting. They called a baby’s legless snow suit a bunting bag. According to the song my daddy was out killing a rabbit to make me one.

In short, at Guild meetings, I floated in a sea of love, and this, Aunt Mae and Maude would teach me in Sunday School, was the love of God, ‘which passeth understanding’.

Still float there! I know, I know. Just hard to remember in the face of old age, distance from loved ones and even alienation. But that early grounding enabled me to continue the creation of something beautiful, not just my family, my extended family, my beautiful newly published book, but my own self. (It’s 2020 so add Covid.)

So thank God for hillbillies!

Hour of the Hawkjoycehowe.com

The Crying Chair

This is the crying chair. It sits in my entrance way on a tiled floor. Good rocking there and tissues at the ready.

I saw it first at Christmas 1960 when I dragged my extremely pregnant body upstairs to my mother-in-law’s attic. She was storing it for a friend, but I could have it to rock the baby, temporary loan.

It was cream colored then. At some point, my husband painted it antique green. (When was the era of antiquing?) During a desperate teachers’ strike, our house became the place for coffee break. Deep winter. Constant arguing. Months of poverty. My two children unschooled as well, of course. To avoid insanity, I carried it down to the basement and stripped the paint off and oiled it. I loved the chair. It saved me.

I rocked my large self in it through most of a dark January 1961. When she arrived, my daughter, like her mother before her, cried. If she had cried for Canada, she would have won the gold. My father slept with his foot out of bed rocking my cradle. I rocked her in the big, comfortable chair.

Her brother arrived a year later. By then his sister was noshing on pureed food, so her colic had cleared up. Anyway her real live doll-brother made her so happy, she didn’t need to cry. He, in turn, was fascinated by her -his own non-stop performance artist/teacher, and calm by nature. Still I rocked them both before bed and at teething time, one on each knee, singing every song I knew including ‘House of the Rising Sun”

Some nights, however, I cried as I sang. Their father taught day school, night school, took night courses and tutored on Sunday. We had dinner together. That was it. A quiet, tasteful time, full of conversation. No. Two babies who needed to be fed while Daddy tried to sort out the evening lesson plan.

I had studied English & Philosophy and Drama. I was the only female survival in the Logic class by third year. I had two years of teaching English under my belt as well as teacher training. I had subdued 50 hormone-ridden grade 10s in a classroom with 48 seats. Now I was washing six dozen cloth diapers twice a week.

I started reciting Shakespeare as I bathed the kids together in the big tub.

Eventually, my husband intervened. “What would you do right now, if you could do anything?” he asked. “Put on my navy suit,” I said. “Where would you go?” he asked. “Cedarbrae Collegiate,” I replied. “You want to go back to teaching,” he said.

How could I? It was 1963. My job was to nurture these priceless babies. It just wasn’t done. But before we got up from the grey card table that functioned as our dining surface, we had the plans underway. We would hire a nanna, carefully vetted. I would get a job easily. Populations were booming and my clever husband could stop working all the time. My terror and relief could be soothed only by more rocking those bigger and bigger babies.

The rocking chair went with us to a new house. We were now making almost $12,000 together. It was an ideal place for growing children, a hill, with a flagpole and a martin house, wilderness, gardens, fences and eventually a pool. There were parks galore and a very high cliff above Lake Ontario for risking young lives. Not that we worried. They had bicycles. They had each other.

The rocking chair sat in the corner of the rec room beside the sliding door and in front of the fireplace, which any of the four of us could choose to light. Nanna kept it swept free of ashes.

Then the crying chair came back into its own. I was the one in it. It was 2 a.m., where was my husband?

The chair and I set out on our travels. Sans the others. We moved to Heyworth Ave., to Main St., to Fishleigh Dr., to the town of Zephyr, to Mississauga, to Evans Ave., to Stephen Dr. and back to Mississauga. I can picture where my chair sat in each of these places. All except 3 had my name on the deed. One had my sister’s and two I signed leases for. A good deal of rocking and crying went on in those 40 years.

Meanwhile my ex-husband had lost his much younger wife to cancer. He had been diagnosed with stage 4 cancer the same year, 2010. We welcomed him back into the family at Easter 2012. (“Should of stuck with the old girls,” my sister greeted him cheerily.

He and I had lunch last week. A two hour lunch tires out this 82-yr-old retired teacher, but he seemed to want to come to my 14th floor suburban apartment. We did have to talk over a few details concerning his estate. There have been no bad tests recently but…

I pointed out the crying chair. This sent him into a reflective mood. He always cried easily-just maybe not over me. Intimations of mortality can bring that on. He regretted our son had not continued his painting and sculpting. I thought that a youthful art career is like a teen-aged rock band. Most people grow out of it.

Hubby, for example had chosen math and physics, over art. Even got to work with a nuclear reactor. (Is that significant?)

Anyway, grief is always the same, not so much about loss as the f-ups that we regret.

So the chair waits invitingly, inevitably.

Feel free to drop by and cry until you’re done.