Getting the Hawk off the Ground

https://115journals.com/2015/04/06/writer-unblocked/ 
joycehowe.com

I am re-posting this blog post about the early stages of writing my mystery Hour of the Hawk, prior to Saturday’s reading with Mar Preston (The Most Dangerous Species) at the Artworks in Pine Mountain Club – 7 p.m. (one of the Written Word Series, a free event).

In the post above, I reported how I finally got started writing Hour of the Hawk, an eco-terrorist mystery, set in the remote mountain paradise of Bear Mountain Place, California. At the time I had written about  3/4s of a first draft- 70,000 wds. Finished, it came in around 105,000 words, which I think is about 280 pages.

“Finished” proved to be a tricky word.

The first revision dealt with logic and structure. P.D. James spent months planning her mysteries, and began writing only when she knew where she was going. John Irving  writes his endings first. When I began with the bear, I knew where the bear would end up, but that was all.  I thought I knew who the villains were. So did my narrator. We were both wrong. One by one, the suspects were eliminated while ever more heinous crimes were perpetrated. At a certain point, I had no idea who could possibly be to blame. Then, one by one, they crept out of the woodwork, a whole conspiracy of them, and each with a different motive for a common cause. I couldn’t keep the whole convoluted plot in my head.

I took a roll of brown paper and drew the plot line, the way I used to ask students to graph short story plots. I eliminated repetition, particularly where the “investigators” – two detectives; the narrator, an older woman; her even older friend and the rock band that is being framed – discuss the evidence they have gathered. I checked for clarity and whether I was giving readers some foreshadowing. It was hard to do that first time around because I didn’t know what was going to happen. I made sure that the characters held up. Were their actions believable, given their personality? One of them, for example, has some degree of psychic ability. Or has been told she has. That was a given. Certain events followed from that. The reader is welcome to call it coincidence.

The edit for syntax and grammar seemed to be completed next, but of course, I discovered it was an on-going process. Every time I reread a  chapter, I find a way to make sentences more concise and punchier- more punchy(?). I was lucky that I had spent 35 years editing students’ writing, although I didn’t feel that way at the time. I would just say that Microsoft Word 2011 has some very peculiar ideas about what constitutes a major clause. I nearly wore out the IGNORE button.

I gave this version to others to read. As reading progressed, two readers got irritated. They would get a third of the way through and I would say, “Stop. Don’t read anymore. It’s awful!” Two others thought I was right. One of them had told me as gently as possible that it was so.

So I went through tightening things up and taking out the archness, the ironic distance, the preciousness. I sent the new version back to my readers. By now they had got 4 versions and 3 “Stop”s. Critic A, as I will call her, gave me the new bad news.: the narrator’s voice was not authentic. Yes, I had eliminated the stand-off-ishness. The narration was more direct. But— the narrator was perceptive and far-seeing, someone who sees into other people’s souls, and that wasn’t coming across. Critic A also had a solution. It involved going to a portrait photographer and having pictures taken, which would suggest the narrator’s character. I did that, wearing clothes she wears in the book.

With one of these photos in front of me, I started again.

 

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What Kind of Fish Have I Caught?

Now What Am I Going to Do?  by Sheila Maloney

Why did I decide to write a mystery? Let me see.

I was living half way up a mountain, suffering from a serious lack of sensory deprivation. I was surrounded by extraordinary beauty and bored out of my skull. I had read every mystery available in the Kern County Library down the hill. I couldn’t afford anymore Kindle e-books. And I wasn’t aware of digital loans. I could watch TV only if I crashed in somebody else’s living room. Internet connection could be found only at a cafe, which still wasn’t licensed to serve. Anything. Besides the connection was so slow, it took hours just to buffer.

So not a serious writer. Not driven. Just bored.

On the other hand, I had built my long life around narrative, survived by it, studied it, taught it, got withdrawal if I ran out of it. So why not?

My friends in the mountain village, fearing for my mental health, brainstormed the underlying idea – eco-terrorism. Well meaning ecologists driven over the line by ideology. Or not. Three and a half years and eight rewrites later, back home in Toronto, I published Hour of the Hawk, independently as an e-book and POD (print on demand) on Amazon.

Six months later, 300 e-books have been downloaded. Free e-books. Twenty five paperbacks have been sold, 20 to the author, the others to her friends.

So marketing?

David Gaughran who generously shares his experience in independent publishing, helped me – virtually – to publish my first book, a memoir of childhood, Never Tell with his free book, Let’s Get Digital in 2012. Now I turned to his book Amazon Decoded for finer points on accessing Amazon’s best seller’s lists and his newest Strangers into Superfans. Reading and rereading, I slowly began to refine my idea of my ideal reader.

OMG!

She was a cozy mystery reader!

➤ COZY: One of the ironic strengths of this subgenre is the fact that, by creating a world in which violence is rare, a bloody act resonates far more viscerally than it would in a more urban or disordered setting. READER EXPECTATION:
A unique and engaging protagonist: Father Brown, Miss Marple, Kinsey Millhone. The crime should be clever, requiring ingenuity or even brilliance on the hero’s part to solve. Secondary characters can be coarse, but never the hero—or the author. Justice triumphs in the end, and the world returns to its original tranquility.
Writer’s Digest Oct, 2015

A world where violence is rare -Bear Mountain Place, a remote village in Southern California – check
a unique and engaging protagonist –  Joanna, a 78-yr-old who has trouble recognizing faces, Clara, an 85-yr-old who has trouble seeing and hearing, set out to solve the mystery -check
a clever, ingenious even brilliant resolution by the protagonistadd visionary – check
Justice triumphs, order is restored – of course, with two such sleuths on the case – check

So what’s the problem?

In order to find my narrative voice, I had a number of portraits taken and this is what my narrator looked like. (Phillipa C., Dundas W. Toronto)

Not cozy. Smart-mouthed. Occasionally profane. Prone to black thoughts. Convinced of Samuel Beckett’s rule, ‘Despair young and never look back’.

Gaughran told me to look at “Also Boughts’. (In my case, the term ‘bought’ has to be used loosely.) These included several cozy series including the Cupcake Series, (cozy mysteries often include recipes), several historical mysteries like Mona Lisa’s Secret by Phil Phillips, the Undertaker Series (sounds promising) and Everett by Jennifer Buff, a dark psychological suspense novel.

Oh, come on, Joyce, you did include a detailed description of a birthday dinner preparation in Hour of the Hawk. And it’s true  Clara has six cats, named Jazz, Poirot, Tennison, Sherlock and Columbo. It’s also true that Joanna, who is living with her, is allergic to cats and endures a sequence of 27 sneezes early in the book.

You, Joyce, are a terrible snob. Like most English Majors. Look how long it took you to lower yourself to reading mysteries. You were 67 when your friend Anna said she was reading Donna Leone’s Detective Brunetti series set in Venice. (A lot of Italian cooking there) Only then did you admit a reader could not live by Booker Prize alone. Since then you have devoured P.D. James, Ruth Rendall/Barbara Vine, Elizabeth George, Peter Robinson, Ian Rankin, all of the Scandanavian mysteries – even Jo Nesbo, as well as Icelandic, Michael Connelly, Lee Child. Etc. Now you have had to branch out to espionage novels. You have had repeated escapes from truly awful cliched books, some of which you actually undertook to review. Get over yourself. Admit you wrote a cozy mystery.

“Can I still keep the cover? (Jeremy Von Caulert, BLack Sunset) I love the cover. I’ll have to rewrite the blurbs. Okay, Okay, but only if I can call it a cozy mystery, plus.”

Hour of the Hawk  Chapter One: Too Many Bears

The bear came down from the mountain in late afternoon. She wasn’t hungry. She had eaten well, but she was missing the cub.

She turned at the bottom along the well-worn path, picking up the scent of honey in the distance, and closer up, traces of many other bears, including the cub. The cub was old enough to manage on her own now. There would be a new cub in winter. She was almost there when another darker smell stopped her in her tracks. Blood. Bear blood. She took it in. Not just any bear blood, her cub’s blood.

The man got home from work early. He was the boss. He could leave when he wanted. This bear thing had him all upset. All he had wanted to do was help his fellow creatures. They were hungry and starving in this four-year drought.

To continue reading sample https://www.facebook.com/joyce.howe.75

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‘Am I in your book?” – The Worst Kind of Thief

The mountain village of PMC in Kern County California, which served as the prototype for Bear Mountain Place.

Awake, I lack imagination. Asleep, I dream whole new worlds. Unfortunately, I do my writing awake. And so, I identify with Sheryl Crowe’s ‘worst kind of thief’.

In her song, The Book, Sheryl Crowe (from her 1996 self-titled album) sings that she read the book and discovered she knew that girl in it ‘a little too well’. She’ll always remember three days in Rome. She got “written down, sliced around, passed down among strangers’ hands”. She ‘laid her heart out, laid her soul down’. She learned that ‘the love you once made/can’t be undone’. ‘Will I get revenge?’ Well yes. By writing this song.

I longed to find proof that this was autobiographical. It seems too heartfelt to be fiction. But I didn’t.

Why do I care? I “carry a pen and a paper” and “no words I waste”.

I started writing my mystery Hour of the Hawk, when I spent several months in a California mountain village waiting out a family problem. My amateur detectives are two elderly women who set about finding out who is terrifying the town with acts of ecological terrorism, which steadily grow more deadly. I modeled one of them on a friend.

Clara was a disarming little old lady, cute, with flashing blue eyes and a lovely smile.  She had a great schtick. She could seem charmingly helpless-a girl just out in the world, or alternately, a slightly confused elder. The first week she was in Bear Mountain Place, a woman stuck $10 in her purse and told her to buy herself a decent meal.
“Why did she do that?” Clara asked me.
“Generosity,” I said. “But next time tell her you need $20 for a decent meal up here.”

I shamelessly stole other identities as well. Two of these people read the manuscript, and, although they both offered advice, neither objected to the theft. ‘Clara’ still had not read the book when I published it as an e-book on Amazon. Since she didn’t have a tablet, she still couldn’t. Then in February, I published Hour of the Hawk through Amazon’s Print on Demand. Now she could read it.

I’m such a coward that I tried the indirect approach. None of her close relatives would hazard a guess about how she’d react. Fictional Clara is hard of hearing and sight, so much so that the villain of the piece – or one of them at any rate – is able to sneak past here while she is watching television. Real Clara has had her vision corrected, but has also fore-sworn her hearing aids on the grounds that elderly fingers can’t handle tiny, tiny batteries. Would my friend resent these handicaps being used for humor?

The other amateur sleuth, Joanna Hunter, can’t recognize faces, a disability I am familiar with.

So I found my courage and wrote Clara a long letter, explaining my concern and enclosing a sample or two.

Then Jesus, the cable guy, arrived.
His card read Jesus Morales, Direct T.V. He pronounced it for me, Hesus.
“Hesus, Hesus,” I kept repeating to myself. I wasn’t used to Jesus as an ordinary name. I wasn’t used to Hispanic accents. I could understand Chinese or West Indian accents, and, of course, South Asian, but not Spanish.
He wasn’t used to Canadian accents. He didn’t understand ‘rooof’, so I had to say ‘ruf’. We kept asking each other to repeat. I held the record. I just didn’t get Hesus.
“Sit down. Why don’t you sit down?” Reg/Doug called to me.
Clara could tear herself away from them only for a moment. “Joanna can show you whatever you need,” she told Hesus.
He turned on the new 70-inch television set. It hung on the wall in front of the couch where Clara and her company sat. We were all jammed into a ten-foot wide space, crowded with unpacked boxes. When the sound came on, Clara cried out, “I’ll never be able to hear that.” So Jesus turned the volume up and up, until Clara was satisfied. The screen told us the volume was 87. Then she and the ‘boys’ resumed shouting.
Jesus showed me his work sheet, and began to ask questions. A bald guy on the screen was yelling about the shoddy workmanship on a renovation. Jesus was shouting questions at me. The boys and Clara were splitting their sides at some long ago anecdote. I grabbed the remote control, and turned down the volume.
“It says one box here,” said Jesus.
“No, no. We were promised two,” I said. “There’s another set in a bedroom. Colin talked to the company several times. There are to be two boxes.”
Then I moved Jesus over near the utility room, so I had access to the landline.
“Oh, Jesus-with a J-God, I’m going to lose my mind,” I thought.
Once I’d got hold of Colin, I handed the handset to Jesus, and locked myself in my bathroom.
It didn’t work. I had to come back out into the din. Jesus called.
When I came out, he assured me everything was all right now. The bedroom set was working as well. I dragged Clara away from the boys, explained what had been done, and asked her to sign her name. Suddenly, she decided she should take charge, and began to ask questions that had been answered an hour ago. Jesus tended to mutter in his thick accent.
“Do I have two boxes? Colin said I would get two boxes.” She went into my bedroom and came out. “There’s just this tiny thing in there, no real box.”
Jesus began to reassure her that both sets worked, independently of each other
“You’ll have to speak louder,” I told him.
He started shouting. I searched frantically for the remote control, found it at last on top of a pile of boxes and pushed mute. I gestured at the boys who were laughing with each other. Now there were only two voices shouting.

It took a week for the letter to escape the confines of Canada Post and the U.S. Mail and end up being released into Clara’s California post office box. Yes, she wanted to read it, I heard. A mutual friend handed her a print copy. I waited for her verdict.

“I’m so flattered,” she said when she called.

I have started writing the second Joanna Hunter mystery and Clara, who will soon be 90, will be part of it.

joycehowe.com

The e-book version of Hour of the Hawk is free to download on Mother’s Day May 13/18 and May 14/18. If you decide to read it, please leave a review on Amazon. The print edition is also for sale.

 

 

Hillbilly Elegy: reflection #2

In my last post, ‘Hillbilly Elegy: a personal reflection’, I related J.D. Vance’s experience in a family from a Kentucky holler transplanted to an Ohio steel town, to my own. We left the Hill in the Eastern Townships of Quebec to come to a steel town in Ontario.

I pointed out that an elegy is a lament for the dead. But, honestly, who could lament the passing of a class of such people, prone to violence, alcoholism, drug addiction, lack of ambition, despair and, finally, sloth?

The short answer is me.

After I posted the article, I began to feel very sad. Was it just the mountain I missed, the sunny open hay fields, the granite and the slate, the noisy trout streams and the deep, sighing woods? Surely it could not be the macho male culture.

My young uncles, younger than me were my playmates initially. There was a young aunt too. Together we four, armed with sandwiches and a wire handled bottle of spring water, would hike off to the nearest brook to cool off. We jumped in the hay mow together, played ‘Kick the Can’ and held country music fests on the roof of the garage. Their father, my maternal grandfather, would sit with us on the porch as evening gathered, and point out Venus. He called the porch the ‘piazza’ to make us laugh.

Ostensibly, it was a teetotal society. Beer and booze in general were spoken of in whispers.

Because, at the time, I was my father’s only child, I got a glimpse into the hidden side of our community, quite unlike the church yard where the ladies stooped as the minister arrived in case their dresses were too short.

In this other world, the backwoods camps, there was plenty of hooch made by my great grandfather and served in bean cans. Rinsed at least once. The latest kill, in or out of season, would be on display. There would be much laughter at jokes I couldn’t really understand, and bad language.

Eventually, my young uncles’ voices got deeper and rougher. They left school at the end of grade seven and began hard labor in their early teens.

When my husband and I, with professional careers and two children, went back to the hill for Christmas, the ‘boys’ took my citified husband off to such a camp on snow mobiles. They didn’t come back that night. I was, of course, frantic. They had got him roaring drunk, a familiar and manageable state for them. In the morning out hunting, they handed my husband a rifle and dared him to shoot a ground hog sitting on a stump. He shot it through the eye and never forgave himself. (Either that or Hitler turned him into a really annoying pacifist.)

What’s not to love?

On the other hand, there was the Guild. The women met in the church hall, a splendid structure with an art noveau interior, a curtained stage and a kitchen. The dances that were held there were a kind of bacchanalia for us kids. The Guild meetings were more sedate. Perhaps we played with the crayons and paper from the Sunday School room in the church. The women sat in a circle and conducted business, usually about projects they were undertaking. Then they got on with the quilt they were piecing together to raffle off, or they  took up their knitting, grey wool socks for the soldiers after 1939.

There was tea and home baking – cookies, squares, even a frosted cake. Not the luxurious spread of the oyster suppers or chicken dinners that ended with a glut of pie, but sugar nonetheless. Or some syrup substitute as rationing came in.

At the dances, the men would filter outside while the fiddle and the piano played South of the Border, Down Mexico Way. What went on out there, besides laughing and smoking was ignored, although female noses turned up at some of the returnees.

Guild meetings were altogether safer. For a year, I was the only baby on the Hill. I would have been adored by all those baby-loving women even if I were ugly. They led me to believe I was not. I remember lying on the edge of the stage being fitted into my snowsuit, while Maude, my mother’s cousin, or Mae, a great aunt on one side and step great grandma on the other, dressed me while singing Bye Baby Bunting. They called a snow suit a bunting bag. According to the song my daddy was out killing a rabbit to make me one.

In short, at Guild meetings, I floated in a sea of love, and this, Aunt Mae and Maude would teach me in Sunday School, was the love of God, ‘which passeth understanding’.

Still float there! I know, I know. Just hard to remember in the face of old age, distance from loved ones and even alienation. But that early grounding enabled me to continue the creation of something beautiful, not just my family, my extended family, my beautiful newly published book, but my own self.

So thank God for hillbillies!

Hour of the Hawkjoycehowe.com

 

 

 

Kindle and the Red Top-Down (The Hawk flies again)

So the red top-down went missing. It wasn’t as if I could call the police. Not that I had left the keys in the ignition. The trouble was it was an imaginary 1963 red MGB. I found it  myself in the word document titled Hour of the Hawk v.8 for Vellum, put it back where it belonged between Chpt. 4 “Too Many Kids” and “The Sitter” which had got promoted to Chpt. 5. O.K. done!

But no!!! One hundred and four people had already downloaded my mystery Hour of the Hawk. (joycehowe.com) Without that clue-filled chapter, they wouldn’t understand the vision of the car at the bottom of the cliff. They wouldn’t understand why Xiao Yu ended up in a mental ward. They wouldn’t understand why Joanna Hunter’s life was in danger. They would think I was a terrible writer or that they were stupid.

Both J. and M. went for the latter. Thank God, C. who had listened to me talking about the plot, said, “Do you describe the flood?” OMG. Of course I do. Where was it?

That was Sunday, Dec. 31.

I don’t want you to think I did all this calmly and quietly. I could barely remember how to turn the computer on, and I wasted a good deal of time staring at the Kindle upload page, which I could not now comprehend. I felt as if I had never seen it before.

I shook of course. I had a dry mouth. My fingers blundered.

Well, that’s what got the red MGB lost in the first place. As I went through the Vellum version the umpteenth check, I saw the heading “Chapter Five”. It didn’t need to be there. Right below it was “5. The Red Top-Down”. I went to the tools and clicked “hide in book”. The tool did its job all too well. I didn’t. I didn’t do one more sweep as I should have.

At first, a KIndle employee, K, working late on Sun, New Year’s Eve, answered reassuringly, saying they would review the change and if it was a serious error, they would forward a link to buyers so they could get the chapter.

Serious, yes, serious! I shot back.

On New Year’s Day, I bought new versions for 5 friends I knew had downloaded it. Kindle wouldn’t let them “buy” the book twice. Somehow I managed to get myself and my sister, Georgia, the updated version. I e-mailed the chapter to the others.

The terrible thing was, except for C., they hadn’t missed it.

Then I waited. Not quietly. I sent Kindle ever more hysterical e-mails. A. responded with increasing empathy. Once she used the word ‘noble’. No, strictly venal. But it was up to K and the Star Chamber that would examine the book for quality.

It was a quantity problem, I replied.

Publishing a book, like giving birth, is a jarring experience. What was once a comforting inner presence is now out there in the world causing problems. I cried at any and all TV shows. Talk about baby blues.

Finally last night, I lost it. I wrote an e-mail lamenting my destroyed reputation and subsequent breakdown. I felt as if I were praying to an absent God. But still I was careful.  You don’t want to piss God off too much. Then I went to bed and read Fire and Fury – on KIndle.

This morning, dear heaven, I got an e-mail. I had passed the audition. Word would go out to all 104 readers telling them how to get a new version.

Vellum is a formatting program, recommended by Joanna Penn in her blog. “Why I changed from Scrivener to Vellum.” It formats your book in about 10 seconds in 8 different formats, including Print On Demand. It’s way too easy to use. See above.

Oh, my children used to call our green 1963 MGB the top-down.

 

Son of a Trickster: Jared, a latter day Holden

Woodstock was over by the time school started in Sept 1969. I was a veteran of the high school wars, 7 yrs. of strife and skullduggery, and an assistant head of English. Even so, I was not prepared for the grade tens that year. They communicated with each by semaphore, weird hand signals and actual gibberish. They treated me as irrelevant noise, a distracting presence.

Then the sweetest little black haired girl reported to her parents that drugs were being sold at the school. The papers got hold of it. We were apparently the only school in the city where drugs were available. This neat little pixie, I finally realized, was stoned every day, as were all of her friends – 2/3rds of the class.

Sweetie soon discovered that she was outed, hoisted by her own petard. Somehow, I got back a reasonable sense of order.

Even so, how was I ever going to teach them Catcher in the Rye? Holden was you know, like the squarest!

In Eden Robinson’s Son of a Trickster, we find ourselves learning to love grade ten-er, 16-yr-old Jared, the Cookie Dude. His only social capital is his ability to bake and supply ‘edibles’. He uses butter and not the very best weed, but the cookies are ‘da bomb’.

What does he do with the income? He pays his father’s rent; otherwise his booted-off-welfare father and his pregnant step-sister would be out on the street.

His mother can’t know this because she will kill him. She’s already had a go at her previous boyfriend. Something about a nail gun. She’s handy with revolvers and long guns as well.

We are on the west coast of Canada, in northern British Columbia. The town and the Rez are almost one. Jared and his mother are Native. His maternal grandmother refuses to see him because she says he is the son of a trickster and not the no-welfare man his mother is separated from.

Jared is a kind boy who helps out his elderly neighbors -butchering a moose, for example, drinks beer and hard liquor, does every drug available, hangs out with party-ers at the beach and frequently has to get out of his bedroom, next to the laundry tub, to avoid his loving but homicidal mother.

Then a raven starts talking to him and says, ‘Jared, I AM your Father.’ Then things get weird. Apemen, otters, grizzly bears, singing fireflies casually materialize sometimes through the floor boards. Jarred rejects his mother’s explanation that he has magical abilities and should learn protective charms.

Meanwhile Jared, unlike Holden, has beautiful girls, who may or may not also have powers, turning up to join him in his sleeping bag.

I do hope that Eden Robinson has The Further Adventures of the Son of a Trickster up her sleeve.

Jared would have been fine to have in class. Stoned or not, he had good manners.

Should You Hunt a Doppleganger?: Redhill’s Bellevue Square

Trinity Bellwoods, the model for Bellevue Square

In Michael Redhill’s Bellevue Square, Jean Mason decides to track down her double/look-alike/doppleganger. One of the customers at her bookstore reports he has just seen Jean with shorter hair and in different clothes in Toronto’s Kensington Market. He reacts violently when she denies it, and, eventually is found hanging in his apartment. He’s not the only one who sees the double and ends up dead.

Jean sets out on a quest to find this other woman, who’s name is apparently Ingrid Fox, and who, it turns out, is a mystery writer.

I felt almost uniquely qualified to understand this book. (Not quite unique because my reading partner, Georgia, has the same sort of qualification.)

I can intentionally look at my image in a mirror, but if I inadvertently catch a glimpse of myself, I have to avert my eyes instantly because that’s not me I’m seeing. If I keep looking, I zone out or become dissociated. It’s as if the image is hypnotizing me. And, yes, I have had therapy. I have discovered hidden parts of me, particularly one – D, who led a life I didn’t remember. Not a very fun-filled one. A sober cult-ish life devoted to foretelling the future and trying to keep other cult-ish people out of trouble. With pretty much zero success! Knowing the future apparently does not change behavior.

Once I discovered D’s existence, I still had a long way to go before we got integrated enough that I stopped getting up in the middle of the night and putting on robes.

One thing I always knew was that I couldn’t just get rid of her. I had been assured that I was not psychotic -at great expense- but I always sensed that I could become mad if I tried to cut off D. or any of her lesser sisters.

Jean has a somewhat different problem, autoscopy. Something is wrong with her brain, somewhere between the temporal lobe and the ear. (There are several people with damaged brains in the story, oddly in the same area.) This disease causes sufferers to externalize their self-image.

In an effort to achieve integration (my interpretation), Jean begins neglecting her bookshop, her two sons and her ex-policeman (or actual police chief) husband Ian to search for Ingrid. She does this by sitting in a park, Bellevue Square, where Ingrid has been sighted. There she relates to the park’s habituées – eccentric, drug-addled, mad but lucid and just plain mad.

But she doesn’t find Ingrid. Not until the end of Part 1, when Katarina, who sells pupusas in Kensington Market and was the second person to report the doppleganger is shot. Jean is the main suspect. Only then does she spot Ingrid crossing the park. As she follows, Jean wonders if Ingrid is “the harbinger of her death”.

Then we discover Jean is actually a university lecturer who has vanished from her classes, and her husband, Ian, seems to have a problem with her owning a bookstore.

Things get weird. Jean has a mirror experience: she sees herself but she’s not in the room. While she gets closer to Ingrid -entering her home and making a gorilla sandwich for Ingrid’s daughter, and discovering Ingrid has a boo-boo in her head – she gets farther from herself. Finally, she ends up in a hospital bed, coming out of unconsciousness.

My reading partner, Georgia, said initially that she must be too stupid to understand the book. Then as we talked, she hypothesized that everyone besides Jean was really Jean. Even Jimmie, whom she breaks out of CAMH, the mental health clinic, and who goes with her on a long hazardous flight to a northern woods. There he seems to abandon her and she finds herself more than ever lost.

Obviously, the book is about identity and fluid identity at that. Jean is following breadcrumbs in a quest for herself. Does she succeed? Maybe the next book in this three part series Modern Ghosts will tell us.

I am a little worried about Michael Redhill, considering what happens to Inge Ash Wolfe in the novel, since that is his pseudonym when he writes mysteries. Maybe he just integrated Inge and Michael and all will be well with one author identity.

Bellevue Square must mean something. It won the Giller prize of $100,000. Perhaps Georgia, D and I aren’t up to the job after all.

Full Disclosure: Initially, I published Never Tell, my e-memoir, under the pseudonym of Joyce Hood, as I did this blog. I have reverted to Joyce Howe, now that all the cult-ish types are either gone or toothless.

Coming soon to an Amazon near you Hour of the Hawk, a mystery by Joyce Howe

 

Where Did You Go Joe Dimagio? part 2

The bear came down from the mountain in the late afternoon. She wasn’t hungry. She had eaten well, but she was missing the cub.

Thus I began my mystery in the summer of 2014. I was temporarily marooned in a hot hotel room. I could see the mountain from my balcony so why not weave it into my mystery. I wrote and wrote. Various things happened. I found myself writing in widely different rooms with different scenery and colder temperatures. I ended up in another place I never expected to be, on the 14th floor of an apartment building. In a suburb of Toronto! There I discovered I was ready to publish my second book.

So, find an agent, find a publisher. I had the tools: books that told me how to write a killer query letter and three kinds of synopsis. An almost up-to-date copy of Jeff Herman’s comprehensive list of both. It’s a fat book, so the  one before that and the one before that, etc. had gone into the recycle bag.

Somewhere I still have a collection of rejection letters for my previous book, most formulaic, but at least one from an agent called Victoria dissecting my character. So self-publishing again, an ebook but now, hurray, a paperback, print-on-demand.

Things had changed since 2012. My nephew is now capable of designing a cover and a website. (Sorry Stewart Williams) I can now format my own book using Vellum. (Sorry 52 Novels) I can now use Twitter to access help self-publishing. I am following  half a dozen companies that gave me advice and offer to publicize my work. Among them is Book Marketing Tools, more than generous with free information and advice.

Helpfully, they inform me that 6,500 books are published every day. What do I care? Last year I declared an income of $120 from my writing, with a net loss of only $571 (all figures Cdn). Clearly, I’m on a roll.

I had looked at Book Marketing’s time-line for how to prepare for a book launch earlier, but now I downloaded an up-to-date one and set about reading it in front of that floor to ceiling window on the 14th floor.

I wish I could say that it left me laughing. I wish I could say I didn’t go for the Alan key to remove the locks that kept my windows from opening more than 4 inches. Evidently, I should have started marketing this book long before it became a gleam in my eye. Ideally, the week I was born.

Book Marketing sets off its timeline a year before the book launch. It  continues with a list of tasks to perform at  3-4 months, 2 months, one, etc., climaxing with a book launch party. The list assumes I have many friends. I have maybe 6, several of them relatives, two even older than me, several living many thousand miles away. One of my friends refuses to read the book, which focuses on eco-activists, because an animal dies-off-stage and before the action starts. Only my niece and my son-in-law stuck with me through the endless revisions, and even son-in-law could do so only because I read it aloud into iTalk and put it in a shared dropbox. (He has a long commute.) I am extremely grateful for the excellent advice I got. But…

There’s a strategy that’s been around for 20 or 25 years. Artists are encouraged to draft their friends into their marketing process. Thus I was instrumental in getting a friend a show hung in a club I belonged to. I thought I had already done my bit by buying more of her canvases than I needed. Then I found I was also expected to serve refreshments.

Exactly why would anyone from that group of six people want to become my ‘street marketers’? And are they actually expected to knock on doors?

I am called upon to seek endorsements from other writers. “Dear Margaret Atwood, You don’t know me but I am a young beginner novelist and I would like you to take four or five hours to read my mystery. I expect you to do this because I have read all your books and taught Surfacing to my Can. Lit. class…” Dear Peter Robinson, You don’t know me, but we both live in the Toronto area and my ex-husband came from Yorkshire, (where your Inspector Banks does his sleuthing). And I make an excellent Yorkshire pudding. I could drop one by, but it would be better if I came to your house for fear of it falling. I could bring my new mystery..” “Dear Mar Preston, You met me once in the lobby at the Pine Mtn. Club. I have set my mystery  Hour of the Hawk in the same town as your book The Most Dangerous Species and there are striking coincidences, although honest, I wrote my book before I read yours…”

How am I doing?

But this is mean. Book Marketing Tools just wants to help – and possibly to sell me advertising space on Twitter.

Agents demand to know if we indie writers are up to editing, proof-reading, printing, publicizing, all those things a real publisher does. Well, yes, if Book Marketing Tools has anything to say about it?

 

 

Where Did You Go Joe Dimagio?

Have you had the experience of meeting someone after years apart and feeling that no time has passed. You start up your friendship right where you left off, all those years ago. Me too.

I went away a year ago. Part of the reason can be found in my last post. I was about to lose my decade-long home. The other reason can be found in my Dec. 15, 2015 post, Getting the Hawk off the Ground. The picture said it all. I had to rewrite my mystery, Hour of the Hawk.

I last posted in Sept. 2016 – A Gold Finch This Morning. I had just finished reading Donna Tartt’s book The Goldfinch, and had been greatly heartened by her description of terrible depression, my own default setting. It had made me laugh, horrible though it was: it was so dead on.

“This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time.” (863/1427- on my iPad). Theo goes on to enumerate all the futile actions we indulge in -playing, working, having babies, redecorating, reading restaurant reviews…

Happily, I can report I am not homeless, although I am writing this in my favorite Starbucks. My resourceful sister took me in hand, announcing that I needed to live near her and her daughter because of my advancing age. Any day now, apparently, I will need a zimmer frame and a tag pinned to my coat, giving my address and saying, “If found, please return.”

Georgia lives in Mississauga, a suburb west of Toronto. I had lived there 15 years before. As a young married woman, I had lived in Scarborough an eastern suburb. I had already done my time in suburbs

But Toronto rents for a one-bedroom were $900 to $1000 more than I was paying for my two-bedroom, rent-controlled home. In Mississauga, we found a one-bedroom on the 14th floor for only $500 more. The library, recreation center, pool and park were one long block away. And I could count on invites to dinner every week.

So I moved, got rooked by the movers, lost things – some didn’t make it onto the truck, some unpacked by others- I had to get niece to come back and find the battery box, and just generally lost my mind. Getting groceries from my car and up to my eerie flummoxed me. Ditto doing laundry on the ground floor. My muscles took turns seizing up. I discovered that reading in bed not only helped with that, but had the additional benefit of a floor to ceiling window on life in the burbs: a major thorough fare, two schools, parkland, a community of houses and the front door of the building.

I hated it. Of course I did. I could see all the way to Lake Ontario and, on a clear day, half way across. I wasn’t God. Why would I want to do that?

I wanted my green old neighborhood with the crazy Polish woman next door, who persisted in thinking that I understood her rapid Polish, and had the ability to influence my landlord. I missed the maples and the deer that lived in the oak savannah next to the river. I missed the kids on the other side of my house. I missed the “girls” upstairs. I could hear all 4 of them in my place.

In the new place I had a wood burning fireplace. I had a gym on the penthouse floor and a sauna. In the brief summer I had an outdoor pool. I got to go to house parties where beautiful African Canadian and Muslim children softened my heart. I was in a minority. Let’s just say that Donald Trump would not approve. Even the province of Quebec in my own country would look askance, although we have no burkas, just a lot of very colorful hijabs and African prints. The West Indians and Haitians fill the halls with lilting English and distinctly un-Canadian French. And, of course, I got to go to dinner two blocks away.

Well, okay.

I got the place in order eventually, sat down at my desk in front on another floor to ceiling window, and pulled up version 7 of Hour of the Hawk. It was as usual, completely silent in my tower. And warm. Did I say warm? Those windows face south

Version 8 coming up.

Next post: Getting the Hawk off the Ground 2017.

 

 

A Goldfinch This Morning

goldfinch

MAY TRIGGER DEPRESSIVES.

https://www.theguardian.com/books/2013/oct/17/goldfinch-donna-tartt-review

I borrowed an e-book version of Donna’s Tartt’s The Goldfinch from the library. (Still pretty amazed I figured out how to do that, but a rent crisis made it necessary.) This morning, I arrived at 870/1427. In this passage, the protagonist Theo Decker, who suffered a terrible loss when he was 14, as well as a remarkable, if dodgy, gain, is now 26. He decides to wean himself off his drugs of choice, Oxycontin 80s, et al. These enable him to carry on a successful life, whereas alcohol, his father’s drug, or heroin would not. So he says. (This does not reflect the views of the writer who has trouble with 100 mgs of Sertraline.) The physical withdrawal is bad enough, but after that comes the DEPRESSION.

“This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time.” (863/1427- on my iPad). Theo goes on to enumerate all the futile actions we indulge in -playing, working, having babies, redecorating, reading restaurant reviews…

Elsewhere I have confessed to a black sense of humour. I embrace Beckett’s advice to a young writer, “despair young and never look back.” except I tend to apply it to life in general. So these few pages cheered me up and made me laugh.

My 80 yr-old-body had hobbled out of bed this morning with full awareness that today more strangers would file through my apartment. Eventually, one of them would buy the triplex. Very likely, they would then evict me. My place is the only unit renovated. The only available apartments are $200-800 more than mine. (We’re having a really big real estate boom in Toronto.) I try to remember that “in my father’s house there are many mansions”, but getting into those seems too radical altogether.

So I’ve been ruminating on divorce, recession, illness, housing bubbles that burst, and those that haven’t yet. But this despondent passage in Donna Tartt’s book was so beautifully written that I didn’t care.

Goldfinches, especially painted ones, do not have voices like nightingales or mockingbirds. They twitter as they swoop, parentheses of bright flashing light.