A Memory of Laughter: contradicting sexual abuse

Brother et moi on a bench in Bois Fort

Above all, I love to laugh. Well, who doesn’t?

I once embarrassed a whole theater section of students at Stratford. We were watching one of Shakespeare’s comedies. I was rollicking with laughter, tears streaming down my cheeks. They turned as one at my unseemly outburst to reprimand me, their teacher. It’s true, they just didn’t get the joke or understand how hilariously the sight gag echoed the lines. It was probably something about cross-gartering and yellow stockings. But even if they had found it funny, they would never have given in to such gut-wrenching, wholehearted, life-affirming guffaws.

As a young woman I could set a table a-roar. The staff cafeteria at lunch time was all the stage I needed. Hapless administrations feared my satiric tongue. Once for two weeks, I had people weeping with glee – over my ongoing, mishandled root canal.

As a lover of laughter, I was an amateur compared to my younger brother. Now there was a funny man. A funny boy originally, of course, and very annoyingly so. He grew up to travel the world and bring back comic stories of – for example – being jailed in Turkey where feeding prisoners was optional. Doesn’t sound funny. You had to be there.

I fell on tough times.

He and I ended up on a road trip in a restaurant in the Big Sur. I was having some vegetarian meal of rice and soy. He was eating steak. He put down his knife and fork and looked at me.

“What happened to you, Joyce?” he said. “You used to laugh.”

We didn’t find a motel room until after midnight. He came out of the office waving the key.

“I told her you were my sister,” he called. “I think she believed me.” He was so overcome with his own wit, he could barely get the words out.

I gave up vegetarianism. I gave up meditating. I gave up spiritualism.

I laughed.

Last Thursday, I listened to Dr. Ford describing a sexual assault she endured. A senator on the Supreme Court Confirmation Committee asked her what the most compelling memory of the incident was. She replied, “The laughter”.

I fell into a quiet study. I declined hourly into a deeper and deeper depression. I began to lose track of myself. I spent Saturday in such dissociation that I couldn’t even binge watch Netflix. I wasn’t sure who I was.

And all the while, I heard the laughter. Not her assailants’ laughter but my own. A lone assailant doesn’t laugh.

Sunday, it occurred to me to cry. That was a breakthrough. It perked me up.

Just as I got myself functioning enough to go to Whole Foods, my brother Face-timed me from Brussels. He was sitting on the bench on the sidewalk in front of his house, smoking a joint. He was wearing a red t-shirt that said, “Beast”. He told me a story about weevils and moths and smoke grenades to get rid of them and could they actually be in his Oreos – he had just eaten three and forgot to check. But Yagoda, his Polish cleaner, whose name means Blueberry, would come and fix it. And as he talked, I remembered to chuckle just a little.

Here was a man who could fall off a ladder, break both feet and laugh that the plaster casts gave his toes claustrophobia. But then I was the girl who could laugh about a root canal.

I would just like to say – and you know who you are – my laughter is bigger than yours. Love is like that.

https://115journals.com/2012/07/20/i-dream-of-etherica-life-changing-dream-2/

See the link for an older, fuller account of the Big Sur incident.

 

 

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Should You Hunt a Doppleganger?: Redhill’s Bellevue Square

Trinity Bellwoods, the model for Bellevue Square

In Michael Redhill’s Bellevue Square, Jean Mason decides to track down her double/look-alike/doppleganger. One of the customers at her bookstore reports he has just seen Jean with shorter hair and in different clothes in Toronto’s Kensington Market. He reacts violently when she denies it, and, eventually is found hanging in his apartment. He’s not the only one who sees the double and ends up dead.

Jean sets out on a quest to find this other woman, who’s name is apparently Ingrid Fox, and who, it turns out, is a mystery writer.

I felt almost uniquely qualified to understand this book. (Not quite unique because my reading partner, Georgia, has the same sort of qualification.)

I can intentionally look at my image in a mirror, but if I inadvertently catch a glimpse of myself, I have to avert my eyes instantly because that’s not me I’m seeing. If I keep looking, I zone out or become dissociated. It’s as if the image is hypnotizing me. And, yes, I have had therapy. I have discovered hidden parts of me, particularly one – D, who led a life I didn’t remember. Not a very fun-filled one. A sober cult-ish life devoted to foretelling the future and trying to keep other cult-ish people out of trouble. With pretty much zero success! Knowing the future apparently does not change behavior.

Once I discovered D’s existence, I still had a long way to go before we got integrated enough that I stopped getting up in the middle of the night and putting on robes.

One thing I always knew was that I couldn’t just get rid of her. I had been assured that I was not psychotic -at great expense- but I always sensed that I could become mad if I tried to cut off D. or any of her lesser sisters.

Jean has a somewhat different problem, autoscopy. Something is wrong with her brain, somewhere between the temporal lobe and the ear. (There are several people with damaged brains in the story, oddly in the same area.) This disease causes sufferers to externalize their self-image.

In an effort to achieve integration (my interpretation), Jean begins neglecting her bookshop, her two sons and her ex-policeman (or actual police chief) husband Ian to search for Ingrid. She does this by sitting in a park, Bellevue Square, where Ingrid has been sighted. There she relates to the park’s habituées – eccentric, drug-addled, mad but lucid and just plain mad.

But she doesn’t find Ingrid. Not until the end of Part 1, when Katarina, who sells pupusas in Kensington Market and was the second person to report the doppleganger is shot. Jean is the main suspect. Only then does she spot Ingrid crossing the park. As she follows, Jean wonders if Ingrid is “the harbinger of her death”.

Then we discover Jean is actually a university lecturer who has vanished from her classes, and her husband, Ian, seems to have a problem with her owning a bookstore.

Things get weird. Jean has a mirror experience: she sees herself but she’s not in the room. While she gets closer to Ingrid -entering her home and making a gorilla sandwich for Ingrid’s daughter, and discovering Ingrid has a boo-boo in her head – she gets farther from herself. Finally, she ends up in a hospital bed, coming out of unconsciousness.

My reading partner, Georgia, said initially that she must be too stupid to understand the book. Then as we talked, she hypothesized that everyone besides Jean was really Jean. Even Jimmie, whom she breaks out of CAMH, the mental health clinic, and who goes with her on a long hazardous flight to a northern woods. There he seems to abandon her and she finds herself more than ever lost.

Obviously, the book is about identity and fluid identity at that. Jean is following breadcrumbs in a quest for herself. Does she succeed? Maybe the next book in this three part series Modern Ghosts will tell us.

I am a little worried about Michael Redhill, considering what happens to Inge Ash Wolfe in the novel, since that is his pseudonym when he writes mysteries. Maybe he just integrated Inge and Michael and all will be well with one author identity.

Bellevue Square must mean something. It won the Giller prize of $100,000. Perhaps Georgia, D and I aren’t up to the job after all.

Full Disclosure: Initially, I published Never Tell, my e-memoir, under the pseudonym of Joyce Hood, as I did this blog. I have reverted to Joyce Howe, now that all the cult-ish types are either gone or toothless.

Coming soon to an Amazon near you Hour of the Hawk, a mystery by Joyce Howe