I Am Writing This For You

I am writing this for you, not for everyone, for you. I want you to know this.

I have been grieving for a very long time. I have been wracked by loss and fear, gripped by nameless terror, in utter despair. I grieved for the death of one man and the loss of another.

I sought to comfort myself by repeating the 23rd Psalm. David found protection and peace and plenty under the Shepherd’s watchful eye.

I mourned tall, thin, dark men who turned their faces and went utterly away taking all music, poetry and joy.

Then it came to me again as it had years before as I turned north off the Rosedale Valley Road. In the midst of despair. I am still in love. The shadow of what I love is gone. The one I truly love remains.

He is here.

(Mostly he and thoroughly, inevitably here.)

The poet king, the lyre player, the one who bends to wrap his cloak around Ruth on the threshing floor, the one who stays up all night talking on the roof, the far-see-er, the one who burns, the one who easily laughs, the one whose love annhilates.

No wonder I can’t find the space to be or a way to live my life. He’s hogging the room. He takes it all. He doesn’t share. We are one or I am nothing. We are one and I am nothing. Consumed by love.

A Goldfinch This Morning

goldfinch

MAY TRIGGER DEPRESSIVES.

https://www.theguardian.com/books/2013/oct/17/goldfinch-donna-tartt-review

I borrowed an e-book version of Donna’s Tartt’s The Goldfinch from the library. (Still pretty amazed I figured out how to do that, but a rent crisis made it necessary.) This morning, I arrived at 870/1427. In this passage, the protagonist Theo Decker, who suffered a terrible loss when he was 14, as well as a remarkable, if dodgy, gain, is now 26. He decides to wean himself off his drugs of choice, Oxycontin 80s, et al. These enable him to carry on a successful life, whereas alcohol, his father’s drug, or heroin would not. So he says. (This does not reflect the views of the writer who has trouble with 100 mgs of Sertraline.) The physical withdrawal is bad enough, but after that comes the DEPRESSION.

“This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time.” (863/1427- on my iPad). Theo goes on to enumerate all the futile actions we indulge in -playing, working, having babies, redecorating, reading restaurant reviews…

Elsewhere I have confessed to a black sense of humour. I embrace Beckett’s advice to a young writer, “despair young and never look back.” except I tend to apply it to life in general. So these few pages cheered me up and made me laugh.

My 80 yr-old-body had hobbled out of bed this morning with full awareness that today more strangers would file through my apartment. Eventually, one of them would buy the triplex. Very likely, they would then evict me. My place is the only unit renovated. The only available apartments are $200-800 more than mine. (We’re having a really big real estate boom in Toronto.) I try to remember that “in my father’s house there are many mansions”, but getting into those seems too radical altogether.

So I’ve been ruminating on divorce, recession, illness, housing bubbles that burst, and those that haven’t yet. But this despondent passage in Donna Tartt’s book was so beautifully written that I didn’t care.

Goldfinches, especially painted ones, do not have voices like nightingales or mockingbirds. They twitter as they swoop, parentheses of bright flashing light.

 

The Cure For Pain Is in the Pain

In one of  Rumi’s poems, “There’s Nothing Ahead” (Coleman Bark’s translation on p. 205 of The Essential Rumi), the 13th century Sufi poet tells us that “The cure for pain is in the pain”.

This is a very enigmatic poem that begins:
Lovers think they’re looking for each other,
but there’s only one search: wandering this world is wandering that, both inside one
transparent sky. In here
there is no dogma and no heresy.

This idea echoes another poem where he says
Lovers don’t finally meet somewhere
They’re in each other all along. (Essential Rumi, p. 106)
By now we are beginning to get the idea that the ‘one search’ is not an outward one or a search for other.

After asserting that
The miracle of Jesus is himself, Rumi goes on to say that “if you can say, There’s nothing ahead, there will be nothing.” Then as though the reader is not confused enough, he adds
Stretch your arms and take hold of your clothes
with both hands. The cure for pain is in the pain.
Good and bad are mixed. If you don’t have both,
you don’t belong with us.

Faced with excruciating pain, I am more than glad to retreat to the coziness of a morphine drip, but it’s hard to come by. Lesser painkillers don’t impress me. Sure they can keep me quieter, but that’s about all. And over the counter pain remedies mess up my digestion and leave the pain the way they found it. So I am driven every so often to test this hypothesis.

I sat down earlier this week to get acquainted with the pain du jour. I made myself as comfortable as possible. No full lotus posture for me. If I’m going to look into the heart of darkness, I need pillows.

Whoa! It is bad. Really, really bad. Pull out of this dive. Just fear. Letting go never works for me. I have to own it. Hold it. Feel its center. Stay there. Stay there. Don’t fight it. This is not an alien force. This is me.

Forty minutes later, I seem to have sailed onto a clear sea.

The residual pain is bearable. I have no idea if that is what Rumi had in mind, but great poetry works that way. It is suggestive. What we make of it is up to us.

Rumi ends the poem:
When one of us gets lost, is not here, he must be inside us.
There’s no place like that anywhere in the world.

Considering Loss at Thanksgiving

Recently, I lost my usual social group. It’s because of the flood, the basement flood at the tai chi club I attended two or three times a week. It wasn’t even a very deep flood, not what others in my town experienced that July 8th when the heavens opened, but deep enough to cause a flowering of mould or noxious fungi. Initially, it smelled like charred wood. When no one else seemed to smell it, I knew I was in trouble. A blinding headache confirmed my suspicion. I withdrew. I raised an alarm. This was a health hazard, I said. The contractor who dealt with the building agreed. The rug had to be pulled up and the floor treated with anti-fungal cleaner.

It is now three months later. The rug is still there and so is the over-growth of fungus.

I tried visiting a month ago. As soon as I walked in the door, I got light-headed. Surely, I would adapt. Half an hour later, I kept saying I had to go because my head was aching, but I seemed incapable of taking myself out the door. Walking toward my car, I knew it was the beginning of the end. On Friday, I turned in my key. The instructor who took it asked me how long it takes me to get to the club I now attend.

It is true that I am now going to another location of the same outfit, half an hour closer than the mouldy one, a spacious, airy building that brings to mind Hemingway’s “clean, well lighted place”. But it lacks the 50 or so familiar faces I used to gab to and the four good friends I had made there.

There is a good deal of self-pity involved. I had been going to that club for eleven years and was instrumental in its membership expansion, in upgrading the building and in fund-raising. Every so often, I am given public credit for this. Don’t want it. Want a de-fungused basement.

Give that up, Joyce. You did it. Now it’s done. Have the grace not to snivel.

So I took Magic Erasers into the new club and scrubbed the baseboards before class. I talk to absolutely everyone who will give me the time of day. I take food in for potluck lunches. There’s got to be a pony under this pile of — fungus.

In other news: the cottage I love is being sold. We will not be able to rent it next year. A beloved house in Southern California is being lost to bankruptcy, a loss which reminds me of an earlier loss that I spoke of in my post about The Great Gatsby. https://115journals.com/2013/05/17/the-great-gatsby-a-personal-response/

Worst of all and no joking matter, a young relative is dying. I do not claim that this will actually be my loss, because I am peripheral. It is, nevertheless, a source of grief, all the more because it reminds me that I very nearly lost someone much closer. https://115journals.com/2013/01/06/shed-come-undone/

Roots are being torn up. I pulled two fat carrots out of a garden a few days ago. They are destined to join parsnips and turnip in a mash-up tomorrow. Heat, butter, nutmeg and sea salt will transform them into a mouth-watering Thanksgiving delight. (A Canuckian Thanksgiving) And I know that these changes are also transformative, but, like the carrots, I don’t yet see what we are becoming. I catch glimpses – a new home for one of us among mountain pines, my renewed friendship with my ex-husband after 30 years estrangement and various spiritual books assure me that the young man is about to be changed into “something rich and rare”.

Blake has observed that if we had stayed together in that house under the hill, skimming the leaves out of the pool and feeding the birds outside the patio door, we would be stodgy and rigid. He doesn’t add “whereas we are flexible, large-minded and open-hearted”. But of course we silently believe we have made a transformation of that order.

So for that change, at least, I am grateful.