Netflix is premiering Hillbilly Elegy, starring Glenn Close next week, so I have re-posted two posts about how J.D. Vance’s book reflects my own experience farther north.
In my last post, ‘Hillbilly Elegy: a personal reflection’, I related J.D. Vance’s experience in a family from a Kentucky holler transplanted to an Ohio steel town, to my own. We left the Hill in the Eastern Townships of Quebec to come to a steel town in Ontario.
I pointed out that an elegy is a lament for the dead. But, honestly, who could lament the passing of such a class of people, prone to violence, alcoholism, drug addiction, lack of ambition, despair and, finally, sloth?
The short answer is me.
After I posted the article, I began to feel very sad. Was it just the mountain I missed, the sunny open hay fields, the granite and the slate, the noisy trout streams and the deep, sighing woods? Surely it could not be the macho male culture.
My young uncles, younger than me were my playmates initially. There was a young aunt too. Together we four, armed with sandwiches and a wire handled bottle of spring water, would hike off to the nearest brook to cool off. We jumped in the hay mow together, played ‘Kick the Can’ and held country music fests on the roof of the garage. Their father, my maternal grandfather, would sit with us on the porch as evening gathered, and point out Venus. He called the porch the ‘piazza’ to make us laugh.
Ostensibly, it was a teetotal society. Beer and booze in general were spoken of in whispers.
Because, at the time, I was my father’s only child, I got a glimpse into the hidden side of our community, quite unlike the church yard where the ladies stooped as the minister arrived in case their dresses were too short.
In this other world, the backwoods camps, there was plenty of hooch made by my great grandfather and served in bean cans. Rinsed at least once. The latest kill, in or out of season, would be on display. There would be much laughter at jokes I couldn’t really understand, and bad language.
Eventually, my young uncles’ voices got deeper and rougher. They left school at the end of grade seven and began hard labor in their early teens.
When my husband and I, with professional careers and two children, went back to the hill for Christmas, the ‘boys’ took my citified husband off to such a camp on snow mobiles. They didn’t come back that night. I was, of course, frantic. They had got him roaring drunk, a familiar and manageable state for them. In the morning out hunting, they handed my husband a rifle and dared him to shoot a ground hog sitting on a stump. He shot it through the eye and never forgave himself. (Either that or Hitler turned him into a really annoying pacifist.)
What’s not to love?
On the other hand, there was the Guild. The women met in the church hall, a splendid structure with an art noveau interior, a curtained stage and a kitchen. The dances that were held there were a kind of bacchanalia for us kids. The Guild meetings were more sedate. Perhaps we played with the crayons and paper from the church’s Sunday School room. The women sat in a circle and conducted business, usually about projects they were undertaking. Then they got on with the quilt they were piecing together to raffle off, or they took up their knitting, grey wool socks for the soldiers after 1939.
There was tea and home baking – cookies, squares, even a frosted cake. Not the luxurious spread of the oyster suppers or chicken dinners that ended with a glut of pie, but sugar nonetheless. Or some syrup substitute as rationing came in.
At the dances, the men would filter outside while the fiddle and the piano played South of the Border, Down Mexico Way. What went on out there, besides laughing and smoking was ignored, although female noses turned up at some of the returnees.
Guild meetings were altogether safer. For a year, I was the only baby on the Hill. I would have been adored by all those baby-loving women even if I were ugly. They led me to believe I was not. I remember lying on the edge of the stage being fitted into my snowsuit, while Maude, my mother’s cousin, or Mae, a great aunt on one side and step-great grandma on the other, dressed me while singing Bye Baby Bunting. They called a baby’s legless snow suit a bunting bag. According to the song my daddy was out killing a rabbit to make me one.
In short, at Guild meetings, I floated in a sea of love, and this, Aunt Mae and Maude would teach me in Sunday School, was the love of God, ‘which passeth understanding’.
Still float there! I know, I know. Just hard to remember in the face of old age, distance from loved ones and even alienation. But that early grounding enabled me to continue the creation of something beautiful, not just my family, my extended family, my beautiful newly published book, but my own self. (It’s 2020 so add Covid.)
So thank God for hillbillies!
Hour of the Hawk –joycehowe.com
Hi Joyce. I enjoyed reading the hillbilly elegies very much. They even got me crying.
Thanks. Me too.
Pingback: 115 journals
Pingback: Requiem: moving mountains #1 | 115 journals
Pingback: Hillbilly Elegy: a personal reflection | 115 journals