What the Candle Said: caring and melting

I am reposting this a year later because I finally get it – a great liberating acceptance of what seemed like suffering and loss.

A candle as it diminishes
explains, Gathering more and more is not the way.
Burn, become light and heat and help. Melt.

Rumi (trans. Coleman Barks ‘Light over this Plain”

The candle gives good advice. Surely, such advice needs to be treated seriously, not ironically. Easy enough to post. Might even help somebody on her way. And there’s even a free candle picture to pretty things up.

But then – gaaaaaa – you find yourself screaming, “I’m melting! I’m melting!” like the Wicked Witch of the West doused with a bucket of water.

Age was melting me before I undertook this project. For the last four years, I have paid a younger woman to clean my apartment every two weeks, first Teresa and then Louisa. I could have been Teresa’s mother and Louisa’s grandmother, but these women brought not only their Portuguese cleaning skills – lots of vinegar and elbow grease – but also their warmth. They looked out for me.

Then I got the call. Invalid 1 was immobilized by pain and might or might not be mortally ill. What’s more Invalid 1 had assumed the care of Invalid 2 during the summer. Although she is in good health, Invalid 2 is even older than me and about to become a nonagenarian.

We’re short on available help as most families are these days. In my day, as we oldsters say, there were spare spinsters about the place, who would come and sleep in the single bed or on the couch and take on the nursing and housework. Not an unattached auntie to be found in our case, not even a biddable if somewhat challenged cousin. Moreover, we are scattered across the continent and those of us in healthcare are gainfully employed.

So I sallied forth. I flew out the next day (115journals.com/2018/10/24/mother-on-broomstick-celebrates-legal-weed/). Like many other mothers, I had already had practice answering such calls. I picture these mothers driving alone in cars, on planes, on charabancs, on buses and trains, sharing space with life stock when necessary, beating a path toward the need.

Invalid 1, my daughter, had been making the shorter trip to Invalid 2, her mother-in-law, daily, for several months and she had developed a real knack for it. She sort of sank into the whole experience. Patience wasn’t even required anymore. It took as long as it took, getting the house in order, checking the fridge for spoilage, making lunch, sitting and listening to the older woman, watching Dr, Phil at 3 o’clock.

Too bad this zen-like helper was now bedridden and had become the lump on the couch, as I affectionately called her.

For the first while, I saw my main task as taking care of her. Her mother-in-law, meanwhile drew on her own strength to manage better than we thought possible.

As time passed, my daughter’s diagnosis became clearer. (115journals.com/2018/11/08/all-is-well-differential-diagnosis/) and surgery got her on her feet. In little more than a week, she was back looking after Other Mom, while I watched in awe. And yes, she got what the candle was saying.

Me? I am melting. My share of the duties doesn’t seem onerous. I don’t even have to cook. Hubby does that. I do the wash and try to keep the place moderately clean. I go to appointments with her – she has to have a second surgery. I used to do all these jobs, work a full day and even give the occasional nod to my children. It’s humbling to take measure of my diminished ability.

The thing is, as soon as I arrived, even though she thought she had a dire diagnosis, she began to laugh. She was better just because I came.

And that is what love is after all. You give what you can. If there’s nothing left, you’re all the better for it.

All is Well: differential diagnosis

115journals.com/2018/10/06/all-is-well-another-contradiction-to-despair/

In the middle of October, I posted “All is Well”, another contradiction to despair. Events overtook me and I posted “Interval”, promising to post “All is Well: part 2”.

I will begin by explaining the difference between renal cell carcinoma and fat poor angiomyolipomas, so far as I understand it. The latter, also referred to as AMLs – not to be confused with Acute Myeloid Leukemia (that’s someone else’s nightmare) – are made up of blood, muscle and fat. Ours was spotted incidentally during an unrelated CT scan. It was a 4.1 cm. mass in the right kidney.

Did you know renal carcinomas can be diagnosed visually? So three weeks ago we got the bad news – kidney cancer. But wait a minute, the real target had been a 3.8 mass in the hip on the same side. Could be metastatic kidney cancer.

Honestly did not know I was capable of howling loud enough to alarm my neighbors.

But, stat, there was an MRI guided biopsy of the hip lump. Hip tumor not cancer. Rather a schwannoma, a tumor of the nerve sheath, in this case on the sciatic nerve and, in this case, benign.

Can there be kidney schwannomas ,we asked the Google gods. Possibly.

Let’s do another scan, stat of course, to see what is going on in adjacent organs – I imagine this one as High Def – and get a good look at the kidney interloper. Two days later, a voice mail message. Not cancer, but a fat-poor AML.

We had got used to the worst – every day terror, bleak future, all that good stuff. Hearing the no-cancer news, I had to put my head between my knees. One of us fell to cursing. The patient cried.

For three weeks, we had followed doctor’s instructions: prepare for the worst, maybe 17% survival in 5 years, gone in her early 60s. Then, when it was just kidney cancer, not metastatic we had a 96% chance. Now, we were back to 100%, or as close as you can be, given traffic on California freeways. We should have been happy, but we went around muttering, “It’s Tuesday, it must be cancer.” “It’s Thursday, it certainly isn’t.” “It’s Friday…”

We didn’t trust any doctor and certainly not a radiologist. The current one still wanted to call it cancer, despite a visible few fat cells. What we read, and we read everything, told us carcinomas had no fat. A radiologist in 2012 had reported that a tumor of 3.8 cm appeared on the left kidney. We ordered the CD record of it. Definitely, on the right. The radiologist had reverse-read the kidneys. If he had not, we would never have fallen for this funny little trick Nature sprang on us.

Lucky us. Lots of patients have discovered only after they’ve lost a kidney that they didn’t have cancer.

This morning, the urologist assured us that the offending growth will be biopsied when it is removed. When will that be? Well, first the main player, pain-wise, has to go. Simple to cut a schwannoma off a sciatic nerve, just don’t cut too close or -bingo- a different crisis here in Kern County. Recovery will take 2 days. When the patient feels better, she can call and get the kidney surgery date.

The issue of getting something to kill the pain is another whole drama. Governments make doctors’ lives hell when they prescribe opiate-type drugs. As far as I can see their draconian rules have not made a dint in the opioid crisis as yet. The neurosurgeon breezily suggested a pain clinic. Wait times for pain clinic appointments are at least 30 days. We live near an opioid addicted town, we might get lucky on a street corner. But, no, the urologist came through for the next 5 days. Not the same effective painkillers, not nearly as effective and rife with side effects. Weeping over the phone to the pain clinic got us an appointment in 5 days. And this is a temporary need, until surgery, for someone who can’t get up off the couch most days.

I am Canadian. We have the same struggles with diagnosis and waiting for surgery. I once waited for 7 weeks to have an intestinal carcinoid removed. I could eat only fluids or runny pureed veg. Great slimming diet. I was prescribed liquid morphine. But I absolutely never had to think about cost. Not true in California, even with Medicare.

This is a wonderful country, don’t get me wrong. Driving up the I-5 from the neurosurgeon’s, I remembered that, if California were a country, it would be the 5th largest economy in the world. But *#@! it, why doesn’t it take care of its people. My great nephew in Belgium had a 15 hour surgery on his brain, lived to tell the tale and got no bill.

Next up: insomnia of 10 months duration.

“All will be well and all will be well and all manner of things will be well”

 

Interlude: between two all-is-wells

This post is an interlude or intermission between my last blog post “All Is Well” and my next one “All Is Well: part 2”.

https://115journals.com/2018/10/06/all-is-well-another-contradiction-to-despair/

So Edgar comes on stage in Act 4, scene 1 of King Lear, disguised as the mad beggar Poor Tom. He is all but naked and covered in mud, a disguise to prevent his capture and execution. His illegitimate brother Edmund has framed him, convincing their father, the Duke of Gloucester, that Edgar is plotting to commit patricide.

Let us note that Edgar actually loves his misguided father very much.

Edgar is out on the heath, the treeless moor, as a vicious storm gathers. He says a few words reconciling himself to his abject state, when suddenly an old man leads Gloucester into view. Gloucester is blind. His eyes have just been gouged out by Cornwall, Edmund’s ally.

Edgar says, “Oh gods! Who is it can say ‘I am at the worst’.? I am worse than e’er I was.”….
“And worse I may be yet. The worst is not/ So long as we can say ‘This is the worst’.

The Old Man wisely hands blind Gloucester over to Poor Tom, for in aiding the Duke, the Old Man is risking his own life.

Gloucester observes “Tis the times plague when madmen lead the blind.”

(Let’s ignore the relevance of that remark to our own time.)

In other words, in my earlier blog post “All Is Well: another contradiction to despair”, I got myself all wound up about what seemed to be the worst possible circumstances. It took only a few days for life to teach me otherwise.

It will take a few more for me to process this new insight enough to write “All Is Well: part 2”.

As usual, I will draw on my sister Georgia’s support. She is gobsmacked by events as well, but no less convinced than she ever was that, to qoute Hildegard of BIngem, “All shall be well. And all shall be well. And all manner of things shall be well.”

The #%*$ universe is unfolding as it should.

Hope: contradiction to despair #7

Hope is the thing with feathers
That perches in the soul
And sings…

Emily Dickensen

It took me a while to find this poem because I thought it said, Hope is a thing with a broken wing. A Freudian slip to be sure.

I started thinking about hope when Ian Tyson’s rendition of Somewhere Over the Rainbow came up on shuffle as I pulled into the No Frills parking lot. I first heard that song at age 6 when I saw The Wizard of Oz in 1942.

We Quebec children were not usually permitted to go to movies, ostensibly because of a fatal movie theater fire, but more likely because the Catholic Church held sway over the province’s morals and saw movies as corrupt. An exception must have been made in this case.

I was already enthralled by the black and white footage of the coming storm when Dorothy arrived in the Land of Oz and things burst into color. And then the music began.

I had found my answer.

The tornado of my home life offered no escape, no shelter. The cellar was just another place of danger. But now I knew that over the rainbow, there was hope and someday, like the bluebird, I would fly there.

It worked. More or less.

Much later, I learned that those who had five or even ten year goals were more likely to be happy and successful. At crucial points in my career, my personal life and my health care, I was asked about such goals. In other words, ‘Articulate your hopes.’ My instant response was “Beats me’, but, of course, I repressed that and made shit up.

So now I am old, not old old. I won’t be old old for 7 or 8 years, not even middle old, which I will be in 3 years. But old nevertheless. What are the possible goals of a hopeful 82-year-old? My immediate response, ‘Living to be 83’.

Until recently, I harbored a broken-winged hope that the world was evolving and becoming a better place, little by little. And that I had played a part in that.

Look what happened.

Now I’m reduced to the idea that life on this planet of pain is pendulum in nature – two steps forward, one step back. Or is it the other way around?

Really, this blog post is falsely advertised. It’s the old bait and switch. I have no faith that there is hope nor that it contradicts despair. In fact, hope of the over-the-rainbow kind is too broken to hold in hand. Yet I get up, stand up and go on, with no expectation of reward. Is it from some old hopeful habit or just an obstinate refusal to give in?

Wishful metaphors make fine poetry, but hope is a 4-letter word – patient, resolute, strong and defiant in the face of darkness.

 

 

 

Getting the Hawk off the Ground

https://115journals.com/2015/04/06/writer-unblocked/ 
joycehowe.com

I am re-posting this blog post about the early stages of writing my mystery Hour of the Hawk, prior to Saturday’s reading with Mar Preston (The Most Dangerous Species) at the Artworks in Pine Mountain Club – 7 p.m. (one of the Written Word Series, a free event).

In the post above, I reported how I finally got started writing Hour of the Hawk, an eco-terrorist mystery, set in the remote mountain paradise of Bear Mountain Place, California. At the time I had written about  3/4s of a first draft- 70,000 wds. Finished, it came in around 105,000 words, which I think is about 280 pages.

“Finished” proved to be a tricky word.

The first revision dealt with logic and structure. P.D. James spent months planning her mysteries, and began writing only when she knew where she was going. John Irving  writes his endings first. When I began with the bear, I knew where the bear would end up, but that was all.  I thought I knew who the villains were. So did my narrator. We were both wrong. One by one, the suspects were eliminated while ever more heinous crimes were perpetrated. At a certain point, I had no idea who could possibly be to blame. Then, one by one, they crept out of the woodwork, a whole conspiracy of them, and each with a different motive for a common cause. I couldn’t keep the whole convoluted plot in my head.

I took a roll of brown paper and drew the plot line, the way I used to ask students to graph short story plots. I eliminated repetition, particularly where the “investigators” – two detectives; the narrator, an older woman; her even older friend and the rock band that is being framed – discuss the evidence they have gathered. I checked for clarity and whether I was giving readers some foreshadowing. It was hard to do that first time around because I didn’t know what was going to happen. I made sure that the characters held up. Were their actions believable, given their personality? One of them, for example, has some degree of psychic ability. Or has been told she has. That was a given. Certain events followed from that. The reader is welcome to call it coincidence.

The edit for syntax and grammar seemed to be completed next, but of course, I discovered it was an on-going process. Every time I reread a  chapter, I find a way to make sentences more concise and punchier- more punchy(?). I was lucky that I had spent 35 years editing students’ writing, although I didn’t feel that way at the time. I would just say that Microsoft Word 2011 has some very peculiar ideas about what constitutes a major clause. I nearly wore out the IGNORE button.

I gave this version to others to read. As reading progressed, two readers got irritated. They would get a third of the way through and I would say, “Stop. Don’t read anymore. It’s awful!” Two others thought I was right. One of them had told me as gently as possible that it was so.

So I went through tightening things up and taking out the archness, the ironic distance, the preciousness. I sent the new version back to my readers. By now they had got 4 versions and 3 “Stop”s. Critic A, as I will call her, gave me the new bad news.: the narrator’s voice was not authentic. Yes, I had eliminated the stand-off-ishness. The narration was more direct. But— the narrator was perceptive and far-seeing, someone who sees into other people’s souls, and that wasn’t coming across. Critic A also had a solution. It involved going to a portrait photographer and having pictures taken, which would suggest the narrator’s character. I did that, wearing clothes she wears in the book.

With one of these photos in front of me, I started again.

 

Where Did You Go Joe Dimagio? part 2

The bear came down from the mountain in the late afternoon. She wasn’t hungry. She had eaten well, but she was missing the cub.

Thus I began my mystery in the summer of 2014. I was temporarily marooned in a hot hotel room. I could see the mountain from my balcony so why not weave it into my mystery. I wrote and wrote. Various things happened. I found myself writing in widely different rooms with different scenery and colder temperatures. I ended up in another place I never expected to be, on the 14th floor of an apartment building. In a suburb of Toronto! There I discovered I was ready to publish my second book.

So, find an agent, find a publisher. I had the tools: books that told me how to write a killer query letter and three kinds of synopsis. An almost up-to-date copy of Jeff Herman’s comprehensive list of both. It’s a fat book, so the  one before that and the one before that, etc. had gone into the recycle bag.

Somewhere I still have a collection of rejection letters for my previous book, most formulaic, but at least one from an agent called Victoria dissecting my character. So self-publishing again, an ebook but now, hurray, a paperback, print-on-demand.

Things had changed since 2012. My nephew is now capable of designing a cover and a website. (Sorry Stewart Williams) I can now format my own book using Vellum. (Sorry 52 Novels) I can now use Twitter to access help self-publishing. I am following  half a dozen companies that gave me advice and offer to publicize my work. Among them is Book Marketing Tools, more than generous with free information and advice.

Helpfully, they inform me that 6,500 books are published every day. What do I care? Last year I declared an income of $120 from my writing, with a net loss of only $571 (all figures Cdn). Clearly, I’m on a roll.

I had looked at Book Marketing’s time-line for how to prepare for a book launch earlier, but now I downloaded an up-to-date one and set about reading it in front of that floor to ceiling window on the 14th floor.

I wish I could say that it left me laughing. I wish I could say I didn’t go for the Alan key to remove the locks that kept my windows from opening more than 4 inches. Evidently, I should have started marketing this book long before it became a gleam in my eye. Ideally, the week I was born.

Book Marketing sets off its timeline a year before the book launch. It  continues with a list of tasks to perform at  3-4 months, 2 months, one, etc., climaxing with a book launch party. The list assumes I have many friends. I have maybe 6, several of them relatives, two even older than me, several living many thousand miles away. One of my friends refuses to read the book, which focuses on eco-activists, because an animal dies-off-stage and before the action starts. Only my niece and my son-in-law stuck with me through the endless revisions, and even son-in-law could do so only because I read it aloud into iTalk and put it in a shared dropbox. (He has a long commute.) I am extremely grateful for the excellent advice I got. But…

There’s a strategy that’s been around for 20 or 25 years. Artists are encouraged to draft their friends into their marketing process. Thus I was instrumental in getting a friend a show hung in a club I belonged to. I thought I had already done my bit by buying more of her canvases than I needed. Then I found I was also expected to serve refreshments.

Exactly why would anyone from that group of six people want to become my ‘street marketers’? And are they actually expected to knock on doors?

I am called upon to seek endorsements from other writers. “Dear Margaret Atwood, You don’t know me but I am a young beginner novelist and I would like you to take four or five hours to read my mystery. I expect you to do this because I have read all your books and taught Surfacing to my Can. Lit. class…” Dear Peter Robinson, You don’t know me, but we both live in the Toronto area and my ex-husband came from Yorkshire, (where your Inspector Banks does his sleuthing). And I make an excellent Yorkshire pudding. I could drop one by, but it would be better if I came to your house for fear of it falling. I could bring my new mystery..” “Dear Mar Preston, You met me once in the lobby at the Pine Mtn. Club. I have set my mystery  Hour of the Hawk in the same town as your book The Most Dangerous Species and there are striking coincidences, although honest, I wrote my book before I read yours…”

How am I doing?

But this is mean. Book Marketing Tools just wants to help – and possibly to sell me advertising space on Twitter.

Agents demand to know if we indie writers are up to editing, proof-reading, printing, publicizing, all those things a real publisher does. Well, yes, if Book Marketing Tools has anything to say about it?

 

 

Where Did You Go Joe Dimagio?

Have you had the experience of meeting someone after years apart and feeling that no time has passed. You start up your friendship right where you left off, all those years ago. Me too.

I went away a year ago. Part of the reason can be found in my last post. I was about to lose my decade-long home. The other reason can be found in my Dec. 15, 2015 post, Getting the Hawk off the Ground. The picture said it all. I had to rewrite my mystery, Hour of the Hawk.

I last posted in Sept. 2016 – A Gold Finch This Morning. I had just finished reading Donna Tartt’s book The Goldfinch, and had been greatly heartened by her description of terrible depression, my own default setting. It had made me laugh, horrible though it was: it was so dead on.

“This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time.” (863/1427- on my iPad). Theo goes on to enumerate all the futile actions we indulge in -playing, working, having babies, redecorating, reading restaurant reviews…

Happily, I can report I am not homeless, although I am writing this in my favorite Starbucks. My resourceful sister took me in hand, announcing that I needed to live near her and her daughter because of my advancing age. Any day now, apparently, I will need a zimmer frame and a tag pinned to my coat, giving my address and saying, “If found, please return.”

Georgia lives in Mississauga, a suburb west of Toronto. I had lived there 15 years before. As a young married woman, I had lived in Scarborough an eastern suburb. I had already done my time in suburbs

But Toronto rents for a one-bedroom were $900 to $1000 more than I was paying for my two-bedroom, rent-controlled home. In Mississauga, we found a one-bedroom on the 14th floor for only $500 more. The library, recreation center, pool and park were one long block away. And I could count on invites to dinner every week.

So I moved, got rooked by the movers, lost things – some didn’t make it onto the truck, some unpacked by others- I had to get niece to come back and find the battery box, and just generally lost my mind. Getting groceries from my car and up to my eerie flummoxed me. Ditto doing laundry on the ground floor. My muscles took turns seizing up. I discovered that reading in bed not only helped with that, but had the additional benefit of a floor to ceiling window on life in the burbs: a major thorough fare, two schools, parkland, a community of houses and the front door of the building.

I hated it. Of course I did. I could see all the way to Lake Ontario and, on a clear day, half way across. I wasn’t God. Why would I want to do that?

I wanted my green old neighborhood with the crazy Polish woman next door, who persisted in thinking that I understood her rapid Polish, and had the ability to influence my landlord. I missed the maples and the deer that lived in the oak savannah next to the river. I missed the kids on the other side of my house. I missed the “girls” upstairs. I could hear all 4 of them in my place.

In the new place I had a wood burning fireplace. I had a gym on the penthouse floor and a sauna. In the brief summer I had an outdoor pool. I got to go to house parties where beautiful African Canadian and Muslim children softened my heart. I was in a minority. Let’s just say that Donald Trump would not approve. Even the province of Quebec in my own country would look askance, although we have no burkas, just a lot of very colorful hijabs and African prints. The West Indians and Haitians fill the halls with lilting English and distinctly un-Canadian French. And, of course, I got to go to dinner two blocks away.

Well, okay.

I got the place in order eventually, sat down at my desk in front on another floor to ceiling window, and pulled up version 7 of Hour of the Hawk. It was as usual, completely silent in my tower. And warm. Did I say warm? Those windows face south

Version 8 coming up.

Next post: Getting the Hawk off the Ground 2017.

 

 

Writer Unblocked

wildanimalfightclub.com

wildanimalfightclub.com

https://115journals.com/2014/09/17/square-one-writers-block/

I wrote the blog above last summer after several people suggested I write a mystery. In it I lament my inability to get started. The post is about writer’s block. When I complained to those urging me that I couldn’t come up with an idea, they started brainstorming. Between us, we came up with a series of crimes, involving eco-terrorism, acts of protest or revenge against those who mistreat the environment. I brought the notes home with me when I returned home to Toronto in November. First, I had to catch up on a whole bunch of things after being away for six months – see the doctor and the dentist, that sort of thing. Then my brother visited from Brussels for several weeks and I was immersed in family. All the while I was thinking. By the beginning of January, I was ready to begin.

One morning, I sat down at the computer and bought Microsoft Office. I had found that Pages wasn’t what I wanted, but I had had an older version of Microsoft Word on an earlier computer and knew I would like it. Having done so, I thought, “You can’t waste that money,” and just started writing. The upshot has been that I have neglected this blog. Fortunately, readers have not and the stats have remained what they were when I was posting at least once a week. I thank Eleanor Catton and her book The Luminaries for that in large measure. Readers have helpfully corrected and added to the time line I posted so long ago that they now are closer to the material than I am.

https://115journals.com/2014/04/05/deconstructing-the-luminaries-a-timeline/

I have over 70,000 words of the mystery written and probably 30,000 more to write. I set it in same sort of the mountain village I spent the summer in in Kern County, California as well as in Bakersfield and Los Angeles. So the setting is in part high desert in a time of drought, which gives scope for ecological angst. It is also home to a newly flourishing flock of giant birds, the reintroduced Californian condor. At the same time, the area is threatened by development, particularly on one of the biggest ranches in North America and ground zero for the endangered condor. Although much of the area is set aside as Los Padres National Forest, the Angeles National Forest and a privately owned wild wolf conservation area, where bears, cougars, deer and mountain lions roam, there is also hunting. A recent regulation prohibits the use of lead shot because the condors, scavengers, die after eating unclaimed creatures killed with lead shot. Since there has been almost no precipitation for over three years, the forest is tinder dry and yet bright sparks (pardon the pun) are still lighting campfires and starting wildfire.

We had come up with six possible crimes and, drawing on my personal history, I created a group of ecological activists, who seem to be responsible as one event succeeds another.

In the beginning, the narration is third person, but soon switches to first person, the narrator, Joanna, a woman of my age -78 – who is more or less stuck in the mountain village with not much to do, except speculate about the ‘crime wave’. She has a companion, who is even older and who has a gift for befriending everyone she meets and the curiosity to gather information.

(Excerpt:

Chapter One: Too Many Bears

The bear came down from the mountain in late afternoon. She wasn’t hungry. She had eaten well, but she was missing the cub.

 She turned at the bottom along the well-worn path, picking up the scent of honey in the distance, and closer up, traces of many other bears, including the cub. The cub was old enough to manage on her own now and there would be a new cub in late winter. She was almost there when another darker smell stopped her in her tracks. Blood. Bear blood. She took it in. Not just any bear blood, the cub’s blood.)

The first ‘crime’ is committed by a vengeful bear, a bear that shouldn’t be there and may have had a human accomplice.

I haven’t settled on a title. At first I saved it under the heading Bear Mountain Mystery. Now it’s Murder at the Center of the World, which is what the Chumash Indians called the place. Bear Mountain -not its real name- the center of the center and the highest point was where everything was in balance. The bear comes from there and seems intent on restoring balance on the lower slopes.

A good deal of the action, however, occurs in Bakersfield, or Bako, as it is fondly known. The Kern County Sheriff’s Dept is headquartered there and the nearest hospitals. The Bakersfield farmland is part of the Central Valley and produces an astonishing amount of food consumed by North Americans. It also produces Valley Fever spores, that live in desert soil and are released by development. In addition, farmers are draining the aquifers, as irrigation is being cutback by drought regulations. The land is actually sinking in places.

The most surprising thing about writing this is the interesting characters that emerge effortlessly. The main detective, Al Guevara, is not at all the good old boy I expected. His belly doesn’t hang over his belt, he has a sense of humor, he is unusually forthcoming, he is married to a defense lawyer, has five children and has trouble making ends meet. Another surprise was a romance novelist, Arta Dietzen, a best seller in your local drugstore, who is writing her way through the alphabet, beginning with Love at the Aswan Dam. Joanna can’t read these books, but finds herself admiring the writer.

This is not the first book I have written. My memoir Never Tell, an e-book, has a link on my blog’s home page or http://nevertell.ca/.

Here is another except. This part depicts Arta Dietzen at a public meeting which is about the proposed new Condor Ranch Village, which she supports, but which ecologists oppose.

Good evening,” said Arta and she was speaking directly to me, warmly, just short of taking me in her arms. Of course, everyone else was having the same intimate experience. “I’m soo glad you could take some time out of your busy lives to support me here. Thank God for PVR’s.” And we all laughed a little too long.

“Now first thing, I know I’m going to disappoint you. I promised y’all that Oliver my good friend Oliver Warren, the CEO of Condor Ranch, would be here. He isn’t. Just wait till I get my hands on that no-good, low-life critter.” She screwed up her face and hunched over so that she looked like the bad witch in The Wizard of Oz.

Whoops of laughter. Howls of laughter. Tears of laughter. The audience had been well and truly salted with supporters.

She straightened up, did a resigned face and said, “He has sent Roger, dear Roger in his stead, like Abraham sacrificing Isaac. I only hope God and this audience will appreciate his willingness and not demand his head. I give you Roger Smith, Public Relations Officer for Condor Mountain Village. I’m just a shill, a poster girl if you will.” She withdrew to the seat in front of the podium that had been reserved for her.

 

 

 

Square One Writer’s Block

The Writer by Mendelsohn Joe, 1982

The Writer by Mendelsohn Joe, 1982

Okay, I need a new direction. Writing the blog post on Cockroaches took three days and was absorbing. I had to go back through it on my iPad reminding myself of names and sorting out the red herrings from the real resolution. I neglected to say in my review that the plot was not memorable.

The difficulty arrives from the fact that I’m more or less stuck here in a mountain village in Kern County, California far from Toronto, as a result of a family illness. There are days when I am superfluous to need, but then again, a relapse occurs and I’m fully involved. I don’t even have time to think. Other days like this one, I am at loose ends despite bear incursions.

Because I’m a big reader of mysteries, several people have suggested that I write a mystery. I thought about it.

Okay… I’d need a crime, a locale and a detective. I could set it here in this mountain village. Wait Mar Preston has already done in Payback, although I didn’t recognize the happy, friendly village I know in the misanthropic town she depicted. Besides hers had a town hall, whereas the real place has only one centre of administration, the club house. This village is unincorporated. In other words even its roads are private property and privately maintained. The streets are patrolled by security guards, although the sheriff rides in for serious matters. So I suppose I could write a truer picture of our remote mountain valley.

Then I’d need a crime. Darn. Something bad would have to happen. Something seriously bad. What stops me there is my own personal experience. My father had a way of being on the edge of seriously bad stuff. After his death, three different police forces spent $1,000,000 trying to figure out exactly what. I can only say it was not worth every penny. Even if he did look exactly like the police drawing. (See home page for ebook.)

Most of all, I don’t have a scientific background except for Biology 101 which taught me how to dissect a pig embryo. I suppose I could make it all up from my extensive reading and my watching of CSI, but I am loath to do so. It’s possible that television writers take liberties with fact. And I have no experience of group work in policing.

I could write about group life in a high school prep room. Pretty cut-throat especially before smoking was outlawed.

Actually I could depict two older women, who have no investigative qualifications except curiosity. And mystery reading. One of them, the elder, would be irrepressibly garrulous, a little deaf and charmingly dotty who could worm information out of a stone wall. The other an ex-English teacher, more reticent, but with a mind like a steel trap. I suppose Clara would want a slice of the royalties. Anyway, that sounds too fey and Agatha Christie has already captured the market.

I’m reminded of the conversation between the writer and the doctor at a party. Doctor: When I retire, I’m going to write a novel. Writer: And when I retire, I’m going to take up medicine.

So, no, I think not.

I could find another indecipherable novel like The Luminaries, study it carefully and blog about it. The Luminaries post draws about 150 hits a week, once 164 in one day. Any suggestions?

I have embarked on the project of following The Outlanders by Diana Gabaldon on Starz and reading the books, but those stories are pretty decipherable. They are historical romances, no matter what the author says.

I could start writing a memoir about this illness, but the patient will write her own as and when.

For the time being, I sit here on another sunny warm day on the edge of the pine wood, writing a blog about my inability to get a good idea. I swear I’ve marked a hundred “personal” essays from students just like this.

Help!

 

 

 

Winter Blues

“Pile Driver Blues” was an a cappella opus, I made up one weekend when I found myself trapped in a San Fransisco airport hotel during construction. I sang it to a two year-old as I pushed him in a stroller around the concrete. Next door was the infernal, 12 hour a day, ground-shaking pile driver. It was not my last encounter with the blues. January seems to breed them.

Does it pay to examine their origin closely? Holiday hangover? Weather fallout? Economic downturn? Legitimate grief? Fatigue? All of the above? Information is always useful, I suppose, and may provide perspective.

The Yellow Emperor’s Classic of Internal Medicine, the treatise on ancient Chinese medicine, sees it as a good and necessary way to slow us down in winter so that we get enough rest to consolidate our strength.

Early this morning, my sister Georgia, alerted to my winter blues, phoned to prescribe Northrop Frye’s Double Vision Chpt. 3. I was taken aback, to say the least. I was on my way to a tai chi class, however, so I tabled the suggestion.

Two hours later, I was back home, stretched and invigorated, but bluer than ever. I tried a nap and woke up ready to try her idea. I found Double Vision on-line and began reading. What do you know, she might be onto something.

Chapter 3 is called “The Double Vision of Time” and begins with a description of the tragedy of time. “It seems probable that the basis for consciousness … is the awareness that the uneasy pact between body and soul will dissolve sooner or later..”  The body’s drive to survive makes us suppress our consciousness of this as much as possible or, at the very least, to convince ourselves that we are not going to die at once. The result, however, is a “subdued anxiety”, or quiet desperation, according to Frye, scholar, critic, a fellow Torontonian, and 78 years-old when he wrote that (1912-1991).

Ordinarily, we see time as horizontal and linear, comprised of past, present and future, although all attempts to grasp “Now” prove illusive. It barely emerges from the past before it vanishes into the future. Moreover, its progress involves a kind of repetition which Frye describes as parabolic as is clearly demonstrated in Shakespeare’s seven stages of man, beginning and ending in helplessness. (“All the world’s a stage..” As You Like It II, vii) “Thus the tragic aspect of time in which every moment brings us toward death.” The double vision of time involves superimposing a vertical dimension, in which all time exists at once.

In practical terms, we can free ourselves from time by “genuine achievement” in everything that matters and that can be accomplished by the building of habit through “incessant practice”. Practicing the piano, for example, repetitively playing scales and practice pieces eventually allows us to break through to the freedom of accomplishment. Thus we come to an “enlarged sense of the present moment”. Experience and awareness are one. Now we are in the “Now”. This intensity is spiritual connection, the vertical dimension, enlightenment.

Right. I think I get it. I do have a number of practices: tai chi, journal writing, cooking, blogging. If I just keep at them, with intention, I’ll break through to a timeless moment? And such a moment will surely be free of the Blues.