Persistent readers know that I have been documenting the demise of my ex-husband Blake here at 115journals. I’ve told of his remarkable 8-year survival with stage 4 prostate cancer, and lately his decline as he began to lose his grip on his perch. He passed away last Monday.

We have been divorced for forty years. We were married for only nineteen. We had two children, who are themselves middle-aged now. To protect their interests, I agreed to act as his executor. I knew it was a bad idea, but I wasn’t aware that I would be chief mourner and ghost-whisperer as well.

When it comes to Kubler-Ross’s  seven stages of grief, I’m a rapid cycler.

Saturday, I set up a little altar in the loving spirit of letting him go, or to be precise, getting him to go. He had turned up in Georgia’s bedroom at 5:20 a.m. in his hospital gown, trailing his blue hospital blanket, confused but vividly Blake. A few days later, Georgia’s daughter jumped off the floor and screamed as something brushed past her in a doorway. Admonitions to go to the light, to go find Leyla, his second wife, fell on deaf protoplasm, as did a final plea to go find his pet Sheba Inu.

In my place, his presence was more diffuse and business-like. He has left me to file several years of income tax, as well as deal with Alice, his resident gold-digger. On Saturday, that seemed charmingly chivalrous, so I set up an auxiliary shrine on the dining room table. As a Taoist, I keep a family shrine with pictures of my people, past and present, Kwan Yin, the Mother, Buddha and candles. I put a picture of 23-year-old Blake in his graduation gown, his obit, a book of Rumi poetry, a dozen tea-coloured roses, incense, Kwan Yin, Buddha and lit bees wax candles. It was the Saturday after his passing, the day we would have had his funeral if he hadn’t opted out of such ritual. I read him Tennyson:

Sunset and evening star
and one clear call for me
May there be no moaning of the bar
When I put out to sea.

Then I got on with my own taxes.

In the evening, I sat down to finish watching The Girl on the Train on Netflix. I had read the book some time ago, and, although I had forgotten it mostly, I knew I hated all three neurotic women and especially the drunken protagonist, who just wouldn’t let up on her ex’s new wife and may have killed her neighbour. About an hour later, my mood had swung from loving a farewell to dear Blake, to get back here: I’ll kill you myself. For my lovely Blake was every bit as good at gas-lighting as Tom, the husband in the story. We – ex-wife, daughter and step-daughter – had compared notes at dinner one February night when the family had travelled from near and far to say goodbye to papa. And he wasn’t beyond blackening each of our names to the others. Then, of course, there was the question of Alice, his latest triumph, 45-years younger, who wouldn’t let us in to see him without a hissy fit, and who had been helping him work his way through the home equity line of credit at a good fast clip.

I repurposed the altar in the name of love and told Blake to get lost.

So here I am, middle of the night, suddenly awake and sobbing with grief. I knew him longer than anyone still extant. I may have loved him best. I certainly hated him best.

He’s gone. I can’t call him up to lament about one ‘child’ or the other. I can’t depend on his caring as much as me. And no, I can’t tell Blake – whatever – anymore.

He believed death was the absolute end. There was nothing after.

In that case, settle down, Boy.