Where Did You Go Joe Dimagio? part 2

The bear came down from the mountain in the late afternoon. She wasn’t hungry. She had eaten well, but she was missing the cub.

Thus I began my mystery in the summer of 2014. I was temporarily marooned in a hot hotel room. I could see the mountain from my balcony so why not weave it into my mystery. I wrote and wrote. Various things happened. I found myself writing in widely different rooms with different scenery and colder temperatures. I ended up in another place I never expected to be, on the 14th floor of an apartment building. In a suburb of Toronto! There I discovered I was ready to publish my second book.

So, find an agent, find a publisher. I had the tools: books that told me how to write a killer query letter and three kinds of synopsis. An almost up-to-date copy of Jeff Herman’s comprehensive list of both. It’s a fat book, so the  one before that and the one before that, etc. had gone into the recycle bag.

Somewhere I still have a collection of rejection letters for my previous book, most formulaic, but at least one from an agent called Victoria dissecting my character. So self-publishing again, an ebook but now, hurray, a paperback, print-on-demand.

Things had changed since 2012. My nephew is now capable of designing a cover and a website. (Sorry Stewart Williams) I can now format my own book using Vellum. (Sorry 52 Novels) I can now use Twitter to access help self-publishing. I am following  half a dozen companies that gave me advice and offer to publicize my work. Among them is Book Marketing Tools, more than generous with free information and advice.

Helpfully, they inform me that 6,500 books are published every day. What do I care? Last year I declared an income of $120 from my writing, with a net loss of only $571 (all figures Cdn). Clearly, I’m on a roll.

I had looked at Book Marketing’s time-line for how to prepare for a book launch earlier, but now I downloaded an up-to-date one and set about reading it in front of that floor to ceiling window on the 14th floor.

I wish I could say that it left me laughing. I wish I could say I didn’t go for the Alan key to remove the locks that kept my windows from opening more than 4 inches. Evidently, I should have started marketing this book long before it became a gleam in my eye. Ideally, the week I was born.

Book Marketing sets off its timeline a year before the book launch. It  continues with a list of tasks to perform at  3-4 months, 2 months, one, etc., climaxing with a book launch party. The list assumes I have many friends. I have maybe 6, several of them relatives, two even older than me, several living many thousand miles away. One of my friends refuses to read the book, which focuses on eco-activists, because an animal dies-off-stage and before the action starts. Only my niece and my son-in-law stuck with me through the endless revisions, and even son-in-law could do so only because I read it aloud into iTalk and put it in a shared dropbox. (He has a long commute.) I am extremely grateful for the excellent advice I got. But…

There’s a strategy that’s been around for 20 or 25 years. Artists are encouraged to draft their friends into their marketing process. Thus I was instrumental in getting a friend a show hung in a club I belonged to. I thought I had already done my bit by buying more of her canvases than I needed. Then I found I was also expected to serve refreshments.

Exactly why would anyone from that group of six people want to become my ‘street marketers’? And are they actually expected to knock on doors?

I am called upon to seek endorsements from other writers. “Dear Margaret Atwood, You don’t know me but I am a young beginner novelist and I would like you to take four or five hours to read my mystery. I expect you to do this because I have read all your books and taught Surfacing to my Can. Lit. class…” Dear Peter Robinson, You don’t know me, but we both live in the Toronto area and my ex-husband came from Yorkshire, (where your Inspector Banks does his sleuthing). And I make an excellent Yorkshire pudding. I could drop one by, but it would be better if I came to your house for fear of it falling. I could bring my new mystery..” “Dear Mar Preston, You met me once in the lobby at the Pine Mtn. Club. I have set my mystery  Hour of the Hawk in the same town as your book The Most Dangerous Species and there are striking coincidences, although honest, I wrote my book before I read yours…”

How am I doing?

But this is mean. Book Marketing Tools just wants to help – and possibly to sell me advertising space on Twitter.

Agents demand to know if we indie writers are up to editing, proof-reading, printing, publicizing, all those things a real publisher does. Well, yes, if Book Marketing Tools has anything to say about it?

 

 

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