Ecstasy: contradicting despair #2

Good sex and union with the divine are two reliable ways to achieve ecstasy. Or maybe just one, when you think about it.

Some people seem to be born ecstatics. They make good poets. I had a friend like that, but western pharmaceuticals were able to cure it.

(Sorry, I slipped momentarily into one of the other great contradictions of despair – bitter humor.)

I’m taking it for granted here that I don’t have to explain despair, why, for example, W.B. Yeats wrote, The world’s more full of weeping than you can understand.

Leave a comment below if you feel I am wrong in this assumption. I will be glad to explain  human suffering, personal and social. That will mean a personal sacrifice because I am writing about these contradictions in order to avoid doing that.

The Sufis whirl in prayerful adoration of God. The 13th century poet, Rumi, born in Afghanistan, was a Sufi. His poetry has become widely known lately through modern translations like those by Coleman Barks. When the Black Dog of depression is shaking me by the back of my neck, I prescribe myself the rereading of Rumi: The Book of Love, to be taken 3 nights in a row at bedtime. I say 3 because I find, if I follow my advice, I forget to be miserable by the 4th.

Come to the orchard in spring
There is light and wine and sweethearts
In the pomegranate flowers

If you do not come, these do not matter
If you do come, these do not matter. 

Who comes or does not come, I cannot say. And yet …

Some of the Romantic poets have moments of ecstasy – Coleridge’s drug induced, Wordsworth’s more daffodill-ian. – but their broken hearts peek through in spite of resolute cries of Joy at that dawn it was to be alive/ But to be young was very heaven.

Others are flat out euphoric.

John Donne greets his wife, “And so good morrow to our waking souls/ That greet not one another out of fear. William Blake says, I love to rise on a summer morn. Emily Dickensen, I started early -Took my dog/ And visited the sea –

Teresa of Avila, a mystic who was canonized after her death in 1582, described the Devotion on Ecstasy as being where consciousness of the body disappears.

Leonard Cohen got the picture:
And so my friends, be not afraid
We are so lightly here
It is in love that we are made
In love we disappear.

Further contradictions to despair will follow.