Why You Should Read All 8 Outlander Novels: pt 2

outlander series pictureThis post is supposed to convince you to read The Outlander, the first book in Diana Gabaldon’s 8-book Outlander series. (A 9th book is in the offing.)

I say “supposed to” because looking back over the plot outline (see The Outlandish Companion by Gabaldon) and reading comment strings, I realize I have a difficult task before me.

The difficulty is not the vivid sex scenes. Those are quite lovely, as you will remember if you saw “The Wedding” episode of Starz series last summer. The difficulty is corporal punishment and what some call spousal abuse.

Now Gabaldon is quite clear that flogging is a BAD thing. Jamie Fraser’s scarred back is evidence of just how bad, although it takes a few books to document how it got that way. Spanking is another matter. Jamie says that his father punished him by application of a switch and look how well he turned out. Of course young Jamie was never punished unjustly and, although he found it hard to sit down for a few days, he didn’t resent his father. In fact, the “beating” was a great relief to his guilty conscience. So – when Claire Beauchamp puts herself and Jamie’s men in danger – and indeed her actions are very ill-advised- he spanks her.

Ever since the book was published in 1991, readers have been arguing about that. Personally, I found the argument interesting, but creepy. I decided that Gabaldon was just taking her inner sadomasochist out for a walk, and then I got on with reading. Yes, from time to time, she seems to skirt into the true romance territory of rape fantasy.

The obvious answer to the offended crowd is “Stop reading. Put the book down. Walk away. Give it to Goodwill with your next box of used clothes. Someone out there wants it.”

The Outlander has a great idea. Claire Randall, neé Beauchamp, is having a second honeymoon with her husband Frank in the Scottish Highlands in 1946. They have been separated during  the war because she was a nurse treating front-line wounded, and he was an intelligence officer in London. They hope to get pregnant now. Frank has come to research the Randall family’s genealogy. Claire is taking the opportunity to study local flora. Not only is she trained in western medicine, she has an interest in herbal treatment. She also has an unusual background. Orphaned as a child, she grew up with her uncle on archeology digs in Egypt. Important preparation for life in the HIghlands two and a half centuries ago.

Returning to their Inverness Bed and Breakfast, one rainy night in April 1946, Frank sees a figure in a kilt watching Claire at their window. Is this Claire’s wartime lover or a perhaps, a ghost?

On the Feast of Beltane, May 1st, she and Frank go to the nearby circle of standing stones to secretly witness, a dance by an equally secret group of local women, welcoming the sunrise. Claire returns the next day to get a sample of a certain blue flower, inadvertently touches one of the stones and gets sucked through time to 1743.

Of course it takes her a while to figure out that she has not simply fallen into the middle of a movie shoot, complete with kilted Highlanders and Frank’s red-coated look-alike. One of her first clues is that the look-alike tries to rape her. She is rescued by a kilted savage. In no time at all, she is treating a wounded Scot, despite the fact that the Scots can’t understand why an English woman is wandering around the highland moor in her shift.

Surely she must be an English spy.

Soon she finds herself revisiting -previsiting- historic ruins which she and Frank visited -will visit- only now the Castle Leoch is standing whole and invulnerable. Her only hope is to somehow escape and get back to the Stones and to Frank. Meanwhile, she finds herself practicing 18th century medicine. The time comes, during her attempt to get back, that the only way to avoid falling into Black Jack Randall’s clutches – he really is Frank’s remote forefather – is to marry Jamie Fraser, red-headed, six feet tall, commanding but reduced to menial labor because of an English warrant. It’s not really bigamy after all. Frank isn’t born yet, and if Claire isn’t careful, he may never be.

If that isn’t intriguing enough, Claire gets to stand on the edge of Loch Ness and see the legendary Water Horse. This is the beginning of her reputation as the White Lady, which comes in handy in the next book, Dragonfly in Amber.

Trivia question: who gave Claire a dragonfly in amber as a wedding gift?

If I could travel back in time, I would choose the 18th century to go to. It was not as old-fashioned as the 19th. Modern thinkers would feel at home there as rationalism and the scientific age began and early democracy was born. Claire finds it a challenge to be an independent minded woman then, cf wife spanking. She finds herself in a warrior society in a violent time, and does not take orders easily, cf marrying Jamie. Like most strong women in male dominated societies, however, she finds ways to take charge.

Okay, so you have to be a certain kind of reader, a bit rough and ready – for a good story, a good long story with a terrific idea and characters that grow. So does Gabaldon’s skill.

 

 

Diana Gabaldon – outlandish outlander

outlander

(Some extremely sensitive souls may find vague events mentioned to be spoilers.)

Sorry about that title.

I shouldn’t be so picky. The first 3 books in Gabaldon’s Outlander (Outlander, Dragonfly in Amber and Voyager) series have gone with me through a difficult month. I never lacked for something to read as we waited for appointments nor a distraction from whatever unpleasantness was at hand. I was reminded of a day of colonoscopy prep during which I watched most of the BBC’s series, Henry VIII. I was more or less unaware of the quarts of vileness I had to consume and its results, despite the dubious history and the inflamed sex scenes of the show.

Usually I don’t read romances, historical or otherwise, well not since I was 16. You may have heard that Diana Gabaldon fought long and hard to have her novels reclassified. You may have heard that she says they are not romances. I say, there are bodices and they get ripped. In the second book Dragonfly in Amber, Claire is sitting in the doctor’s lounge at the Boston hospital where she is on staff and she picks up a romance novel to pass the time. Just to prove her contention, Gabaldon includes passages from that book – in italics. So? I was not struck by any great difference. Call me a naive reader if you will, but I made my living teaching English literature.

Gabaldon had a superb idea. At the end of the second world war, Claire, a former combat nurse visiting Inverness with her historian husband, is drawn through a cleft in a circle of standing stones and finds herself in Scotland of 1743, indeed in the middle of a skirmish between highlanders and redcoats. One of the less savoury redcoats looks exactly like her husband, back in 1945. Claire remembers her history – in April 1745, the highland clans will be wiped out by the English army at the battle of Culloden and in the pillage and famine of its aftermath.

It is one of the most tragic events in British history.

What I want, I suppose, is a certain amount of gravitas, but what I get is a series of coincidences that would make Dickens blush and awful event following on the heals of awful event. Jamie, Claire’s 18th century husband, is about to be tortured and raped to death when Claire is thrust out of the prison’s back door and attacked by wolves. Pirates show up to steal the treasure on the very day Jamie tries to claim it. Three different ships, travelling separately, after 3 months crossing the Atlantic, fetch up on the same West Indian island more or less the same day.  A return after 20 year’s absence is crowned by 2 murders and a devastating fire that destroys a livelihood.

My reading partner who is slightly ahead of me keeps asking,”What shark is she jumping today?” “Oh today’s it’s the slave”, I reply.

A rollicking tale, no doubt about it. Reading online comments, I learn that in the most recent book, In My Heart’s Blood, Claire at age 62, by one reader’s calculation, is still working the way she did at 48. And of course still having sex, graphically, although by now constant readers must be able to imagine every possible move.

Be assured, though, that the author is still telling us that Jamie is strong, broad-chested, tall, with flaming hair, streaked with gold, amber and  possibly platinum by now. Whether he is still a proponent of wifely obedience and corporal punishment, I don’t know. I hear that he doubts his ability to lead an army, despite the fact that he has been leading large bodies of men for decades.

Fewer adjectives, we cry.

How does she do that, anyway? Does she sit in Scottish glades taking notes of light qualities? Or among Caribbean mangroves?

I don’t scorn Gabaldon’s abilities. I just wish she would listen to her editor. Of course she doesn’t have to. Her readers love the purplish prose. Probably the light fuzzy hairs on their arms really do shiver upright.

So why don’t I just put down Voyager and pick Crime and Punishment, do some serious reading? That’s what I hate the most about Gabaldon’s writing. I can’t stop. I’m addicted.