Richard III: evil or good

In a previous post, “Richard III: lost and found” (115journals.com), I described the recent discovery of the bones RIchard III who was killed by Henry Tudor in the Battle of Bosworth Field in 1485. Henry then became Henry VII, the first Tudor monarch in England, followed in turn, by Henry VIII and Elizabeth I. The question I promised to address at the end of my previous post was whether Richard deserved the reputation that has come down to us, citing Shakespeare’s play, on the one hand, and Josephine Tey’s novel, The Daughter of Time, on the other.

Shakespeare’s play Richard III was probably produced in 1594, during Elizabeth’s reign, over 100 years after Richard’s death. The playwright drew on Holinshed’s history which in its turn drew on Thomas More’s account of events. More was solidly in the Tudor camp, having served both Henry VII and Henry VIII. In any case, according to Tey’s research, More did not actually write the history of Richard that is attributed to him, but rather re-copied in his own hand an account actually written by one John Morton, a participant in events. This re-copied account was found in More’s papers after his execution and published as his own work. The Tudors -namely Henry VIII- repaid More’s service by beheading him.

Josephine Tey’s novel, The Daughter of Time, was published in 1951 and is not the first debunking of the evil Richard legend, which held that he was a usurper of the throne, guilty of fratricide and regicide, and a man without honour who proposed to marry his own niece. Other writers – Buck in the 17th century, Walpole in the 18th and Markham in the 19th – also contradicted that legend. Indeed there is something called the Rickardian Society devoted to that same task since 1924.

I came to love Shakespeare’s play when I saw Alec Guiness play the lead at Stratford, Ontario as a teenager. It was a brilliant portrayal of a villain who rejoiced in his villainy. Like all school children I had learned that Richard was the boogeyman who had killed the poor little princes (Edward V and his younger brother) in the Tower of London and it didn’t occur to me that might not be true.

I’m not sure when I first read The Daughter of Time, but it would have been probably 15 years or more after it was first published. A few days ago, I loaded it onto my Kindle and read it for the 3rd time. It is just not possible, for me at any rate, to keep its complex ideas in my head. The daughter of time, by the way, is truth.

Shakespeare’s play begins with a long monologue by Richard, Duke of Gloucester, who was depicted by Guiness as hunchbacked and twisted, drabbly dressed with greasy hair sticking out from under a red cap. He begins by asserting that he was
Deformed, unfinished, sent before my time
Into this breathing world scarce half made up –
And that so lamely and unfashionable
That dogs bark at me as I halt by them –
And yet, so skilled is he at seduction that by the end of the scene, he has talked Anne Neville into marrying him despite the fact that she began by hating him. She has good reason: Richard has murdered her husband, the Prince Of Wales, and her father-in-law, the deposed king, Henry VI, to secure the throne for his brother. Richard carries on throughout the play murdering his way to the top. He kills his brother, Clarence, who is next in birth-order to Edward IV, and therefore, an obstacle to Richard’s inheriting the throne. He pins the murder on Edward thereby accelerating his illness and when Edward dies, he imprisons his sons in the Tower of London. He kills the nobles who support the child Edward V although he (Richard) has been appointed Regent to rule until Edward is of age. He kills his wife, Anne Neville in a plan to marry his niece, Elizabeth. Then, infamously, he hires James Tyrell to kill the little princes by smothering them. When Richard’s horse is shot out from under him at the Battle of Bosworth Field, Henry of Richmond finishes him off and becomes Henry VII, the first Tudor king. Shakespeare counted Queen Elizabeth, Henry’s grand daughter as the chief patron of his theatre company, plenty of reason to seize on the dramatic possibilities of Richard’s villainy.

Now, even before we turn to Tey’s refutation of these charges, it is worth noting that Richard’s hired hands are supposed to have dispatched his brother the Duke of Clarence by drowning him in a butt of Malmsey, that is a large barrel of wine. This was actually a Cockney expression indicating that Clarence died of drink, although, in actual fact, he was executed for treason.

Josphine Tey’s novel is constructed like a mystery. The detective, Grant is lying flat in a hospital bed recovering from injuries sustained while he was chasing a suspect. To pass the time, he is trying to solve the riddle of whether Richard deserved the reputation that Shakespeare hung on him. He has the help of a “research worker”, Brent Carradine, who looks things up at the British Museum. Those were the quaint old days when sitting in a library was the only way to do such research. By this time, Grant has figured out that More’s account was highly suspect and not even his own. Curiously, even the historians who castigate Richard, have to admit that he was devoted to Edward IV throughout his life and that he was an admirable administrator, an excellent general, and a brave soldier. Yet they also picture him as suddenly becoming willing to wade through blood to get to the throne, even though he is already safely ensconced there as the Regent. Grant and his researcher decide to focus not on such accounts, but on actual documents from the time – accounts, letters, decrees, court records, legislation.

It quickly becomes clear that  Richard’s rule of 18 months was not only orderly but progressive, the people being granted such things as the right to bail and freedom from intimidation as jurors. Richard dealt with those charged with treason in an even-handed way returning confiscated property, for example, to the family to be administered. In the light of future events, when the Lancasters and their Woodville allies rose against him, he would have been better to be a tyrant. Yet he seems to have been a decent fellow who was popular with the people.

The research In The Daughter of Time turns up information that, just as Richard is planning Edward V’s coronation, one Bishop Stillingham announces that he had presided over a marriage of Edward IV  to   another woman prior his marriage to Elizabeth Woodville. As a result, Edward V is deemed illegitimate and the throne passes to Richard.

In the matter of the princes in the Tower, It is true that Richard sent them to live there. It was a royal residence at that time and to live there was not a punishment unless you were in the dungeons. The princes were not. They lived royally as their mother did once she came out of hiding and they were taught by their tutor. Their sisters attended events at Richard’s court and the mother, Elizabeth Woodville, accepted a pension from the man historians say is her sons’ murderer.

After he killed Richard, Henry VII moved to get an act of Attainder, declaring Richard was never entitled to be king, but in the posthumous charges, there is no mention that Richard has murdered his nephews. Indeed there is no mention of them again in any documents until James Tyrell is charged with their murders 20 years later and executed. True they have vanished. The documents that the research worker uncovers indicate that Tyrell is granted a general pardon by Henry in early June 1486 and another one a month later. What has he done during that time that makes the second pardon necessary? Shortly thereafter, Henry makes him Constable of Guisnes and Tyrell goes to live there near Calais. (England still had sovereignty over part of what is now France.)

Why would Henry want the princes dead? He has married their older sister and set about restoring her legitimacy, but if she is legitimate, so are her brothers and they have a much more lawful, hereditary claim to the throne than Henry. The researcher in Tey’s novel finds an abundance of evidence that Henry also eliminated anyone else who stood in Edward IV’s line, including Clarence’s son, whom Richard had made his own heir. Henry VIII carries on executing those who seem to threaten the Tudor claim to the throne.

Shakespeare’s Richard is a brilliant portrayal of an evil person who rejoices in his evil and his final end while tragic, is richly deserved. Tey’s Richard, the more historically accurate one, in my opinion, is an altogether more honourable fellow; moreover, apart from one shoulder being higher than the other, he does not seem to have been disfigured.  I regret that Richard’s reputation has been thus sullied for the past 500 years.

Richard III: lost and found

On Monday, February 4, 2013, a team of archaeologists and scientists announced the bones found last September under a Leicester parking lot were those of Richard III.

Richard, Duke of Gloucester, ruled England from 1482 to 1485, having deposed his 12 year-old nephew, Edward V, whose guardian he was. He was killed at the Battle of Bosworth Field at the age of 32 by Henry,  Duke of Richmond, who succeeded Richard as Henry VII, the first Tudor monarch.

The story was that Richard’s naked body flung over a horse was hurriedly taken to the Greyfriars Monastery for an ignominious burial, but the monastery had long since ceased to exist and the Richard’s last resting place was lost to memory. Members of the Richard III society researched the location of the monastery and came up with its location in the council car park in Leicester. Excavation revealed two bodies, one in a cramped grave showed signs of severe scoliosis and a fatal wound at the base of the skull. Richard III was known to have suffered a spinal deformity, which caused him to be hunch-backed and so, excitement grew.

Carbon dating of 2 ribs indicated that the bones were roughly 500 years old and further examination that they were of a man in his late 20s or early 30’s. Richard died at 32. A tooth was extracted for DNA testing and proved to have a rare mitochondrial DNA sequence, found in a very small percentage of people. Painstakingly, the chromosome sequence was restructured and eventually tested against 2 of Richard’s relatives, one of them a Canadian 17th-great nephew.  The results identified the bones as being Richard’s.

More of the story emerged as the week went on, somewhat to the discredit of Henry or possibly of his ill-controlled soldiers. A halberd, a long pike-like weapon with a spear-like point and an axe below it, had sliced through the base of his skull. (source National Post, Thu. Feb 7, 2013) There was a dent in his skull, probably resulting from a fall while wearing his helmet. A smaller cut at the base of his skull, also a fatal blow, was caused by a sword. There was a knife cut on his lower jaw, possibly caused when his helmet was lost. (He had, famously, already lost his horse: “A horse, a horse! My kingdom for a horse”.) A small hole in the top of his head was probably caused by an arrow. There was a knife wound on his cheekbone. A cut mark on a rib may have been caused by a knife post mortem. He seems to have been stabbed in the right buttock, an insult injury after his armour was removed.  His hands were crossed suggesting that they had been tied. The feet bones were missing possibly because a 19th century outhouse had been built close to the grave and almost destroyed it. There was no evidence of a shroud or other covering.

The article in the National Post cited above speculates that the spinal deformity may have originated at puberty. My Encyclopedia of World History (Ed. Wm. Langer) describes Richard as able, a good soldier and skilled at winning public support. Evidently, he was also good at losing it if the pile-on at his death is any evidence.

There are 2 views of Richard. Shakespeare gives us one, painting him as an assassin and manipulator who killed Edward and his younger brother in the Tower of London. Had them killed, that is as well as his own brother Clarence who stood between him and the throne. A more positive view is presented by Josephine Tey in The Daughter of Time. I will consider these 2 views in an upcoming post.

Ruth Rendell’s The Saint Zita Society

Image

Ruth Rendell

Ruth Rendell, (aka Barbara Vine) the 82 year-old British novelist

Saint Zita, Ruth Rendell tells us, is the patron saint of servants. The Saint Zita Society is spearheaded by June, the 80 year-old companion to the Princess. June gets little or no respect and starts the society to improve working conditions on Hexam Place, an upscale London address. Attendance is never high, the chief draw being that meetings are held in the local pub, the Dugong. (You could look that word up in a myth dictionary.)

I would call it an ensemble novel because it has so many characters all more or less of equal importance. Only one of them, Rabia, the Muslim nursery maid to Thomas, a banker’s son, engages our sympathy. She has had a tragic history as mother and wife and she has attached herself to her charge with ferocity.

Two of the others fall into the doormat category: Thea, who rightly claims that she is not actually a servant, nonetheless, is admitted to the Society because she fulfills that role to her landlords, a gay couple planning a civil union ceremony and to the angry widow who lives in the first floor flat of the 3 flat house. She would qualify for sainthood herself if she wasn’t filled with furious resentment. The other pushover is Dr. Jefferson, Hexham’s resident paediatrician. The doctor does not, of course qualify as a member, nor do, the gay couple, the Princess or Lord and Lady Studley.

There are several drivers, Jimmy, Beacon and Henry, easily distinguishable by their differing morality and who they drive for – Dr. Jefferson, Mr Still and Lord Studly, respectively. They do not indulge in alcoholic beverages at the meetings, although some of them indulge in other vices on their own time.

Several people entertain the idea of marrying persons they do not love, but these plans don’t always pan out. In fact love gets a bad rap in this book, with the exception of Rabia’s love for baby Thomas.

There are those ready and willing to take advantage of the pliant nature of others, including the gay couple and the Still’s au pair, Montserrat, who lives in the Still’s house and collects a salary but apparently has no duties.

There are 2 nasty old girls, the afore-mentioned Mrs. Grieves and the Princess, although the Princess’s dog Gussie may have the inside edge on nastiness.

The novel is not a Whodunit nor even a Whydunit, nor even a Will-they catch-em. It’s inciting event is an accidental death, which gets mismanaged, so to say. There are, I hasten to add, additional, actual murders. A red-headed detective wanders ineffectually  into the drawing rooms and bedsits of Hexham Place. Nevertheless things get wrapped up nicely, including the St. Zita Society. No one is left out of this denouement. And there is a measure of what my history prof called natural justice in the end.

I read this book on my Kindle.

To e-Read or not to e-Read

This week, I read another pronouncement by a Book Lover that he, bibliophile that he is, would never consider reading an e-book, he being Joe Queenan, who has written a memoir One for the Books. Robert Fulford, critic for the National Post calls the memoir “a funny, fractious and ecstatic book about his (Queenan’s) life as an obsessive reader.”

Queenan spends 2 hours a day reading and claims to have read 6,000 books since he was 7 when he began reading to escape his violent, alcoholic father and emotionally distant, manic-depressive mother.

Well, good for you, Joe, and la-dee-da. Who hasn’t? Who didn’t? And I swear I have already given away that number of read books while still retaining a couple thousand more. You can see Joe has rubbed me the wrong way and I haven’t read his book yet, but I intend to enjoy it nevertheless.

In addition, Fulford reports that Queenan refuses to read any book in which the character attends private school, including Catcher in the Rye, self-actualization books, books described as “luminous” and he considers To Kill a Mockingbird a historically suspect novel about Just the Nicest White Man Ever. That is not the end of the list of what he will not read.

Queenan enjoys the sensual experience of the book as object, the feel of it in his hands, the visual impression of print on paper, the smell, the memories evoked of where and when he got it.

Fulford, himself, recounts the 3 life rules he taught his daughters: 1. never fold down a page, 2. never leave a book open face down, 3. never leave the house without a book.

Once we have enjoyed the irony of the fact these are supposed to primary life rules, we can evaluate them. Number 3 is – it goes without saying – undeniably a prime directive. You can endure the interminable waits that transit companies, airlines, hospitals, doctors, and city hall throw at you with your mind buried in a book. Today I watched a young woman walking up from the main bus route reading every step of the way. And I have a friend who got a ticket for reading in a traffic jam. Well, they weren’t going anywhere!

Personally, I do not regard books as sacred. They are too important.

I do not turn down corners except in dire emergencies. Having said that, dire emergencies do arise, times when the bookmark has vanished and there are no available sales slips, transit tokens and certainly no dollar bills, here in the Great White North, to make do as markers. Since many of the mysteries I read are 3rd or 4th hand or more, I spend time straightening other people’s dog-ears. I would never dog-ear a library book nor would I underline or write in one and more than once, I have wanted to hunt down someone who did. Their comments are without exception puerile. (Look that up, desecrator!)

My own books are a different question. I write on the back flyleaf reminding myself of ideas that struck me as interesting and noting the page number. I generally don’t underline but I might note a word at the top of the page to help me find the idea later. Of course, I read in the bathtub, although not in the shower. Of course, I read at my solitary table at home and in restaurants. Of course jam gets involved and grease, but never ketchup. I hate ketchup.

Once my young daughter came home indignant that her school librarian had told her that never, never, under any circumstances, should she read, even her own books, in the tub or at the table. Daughter and I just shook our heads in pity: librarian was not a true reader.

A true reader is omnivorous and will find books wherever possible -in discard bins, big box bookstores, second hand stores in mouldy basements and, of course, in e-readers. Even Robert Fulford, Queenan’s reviewer, confesses that he read One for the Books on his Kindle.

I have an old Kindle that my sister, Georgia, gave me. She has its twin. Mine is still in her name, so whatever book she buys also downloads to mine and vice versa. I bought Lee Child’s new book A Wanted Man and she also downloaded it. She did wait until I had finished; otherwise, we would have got confused. It would have automatically gone to the last page of whoever had used it last. Note to Lee Child: if I had bought the hardcover, I would have loaned it to her.

I love the Kindle for that reason and because I can hear about a book and have it in my hands in seconds. (Full disclosure: I have also published an e-book Never Tell: recovered memories of a daughter of the Knights Templar. See 115journals.com) So if I am snowed in or too sick to go out, if I can’t get to sleep, if I need to consult a book I don’t have, I can find it easily on Amazon and download it. It all goes on Georgia’s charge card!

Apparently, it is now possible to download e-books from our library, but I haven’t got there yet.

I can’t write notes on the back flyleaf of an e-book. I can’t even keep a record of page numbers -there are no page numbers, just % of book read – and ideas, but I am dealing with 5 year-old technology and I’m betting other tablet users can. It is annoying to go back and search for a reference as I had to do when writing the post “Jack Reacher: a long way from Virginia”. But it was not impossible and was no doubt instrumental in building me new neural pathways, so necessary in one of such advanced years.

Jack Reacher: a long way from Virginia

Will Jack Reacher ever get to Virginia? That’s the burning question.

Lee Child’s novel 61 Hours (March, 2010) opens with Reacher being involved in a bus accident in the middle of a South Dakota winter. Reacher, a former major in the military police, has, as I pointed out in my post “Jack Reacher, Wandering Taoist” no home and travels constantly across the United States, with nothing but the clothes on his back and a toothbrush. His theory is that buying new clothes every fourth day is way cheaper than a mortgage and laundry facilities.) He either hitches rides or takes a bus.

He sets off at the end of 61 Hours, having managed to figure out the truth about what was down there in that strict time frame. Of course, he did, although you might, like me, have entertained the idea that he had vanished in the final mayhem. You could have guessed he would uncover the truth, so it isn’t exactly a spoiler. How could he not? He’s Jack Reacher huge of body and mind, expert in hand to hand combat and pretty good with a rifle. Why is he bound for Virginia? A woman’s voice is luring him there, the voice of a woman major, the voice that helped him through.

Worth Dying For (October 2010) finds Reacher in the corn country of Nebraska, a day or so later, having hitched a ride and ended up in a kind of feudal kingdom where most people keep their heads down and try not to remember the child who vanished many years ago. Reacher gets hooked once again and stays to help the woman who has the courage to stand up against the local oppressor.

The Affair (September 2011) doesn’t advance the journey to Virginia because it is a flashback to Reacher’s adventures in 1997.

But this fall, along came A Wanted Man, which finds Reacher still in wintry Nebraska with the broken nose he got the day before, but it was worth it presumably, since it was Worth Dying For. Given that he has taped his nose up with silver duct tape, it is surprising that he managed to get a ride, but now he’s dropped off at a cloverleaf. He waits there in the bitter cold as car after car slows, takes a look at his size and his smashed-up face and speeds away. Finally, he tears off the duct tape and after 93 bitterly cold minutes gets picked up by a car with three people, wearing identical, ill-fitting blue shirts and claiming to be business cohorts returning from a conference. Reacher thinks things are not as they seem. He is right.

Jack Batten in his review in the Toronto Star, Sunday November 5, 2012, says “What follows adds up to the most satisfying of all 17 thrillers in the series. The secret to its superiority is a matter of pace. The unfolding of events nudges along at just the right pace -deep into the book – things speed up as Reacher pulls toward an authentically gripping climax.”

Reacher makes it into Kansas at one point, but then has to back track to where he first caught the ride. By now his nose is beginning to heal and in the end, he is back at the side of the road, looking for a lift to a bus station where he can get a bus for VIrginia. And no that woman there has not aged greatly – it’s only been a few days in Reacher time.

Just as addendum: Lee Child was in my town and in answer to a question, saw nothing wrong with Tom Cruise playing Reacher in the movie, One Shot. Dismayed listeners cited height. Didn’t seem to bother Lee Child that Cruise, who is shorter than most of his wives, should play 6 ft. 5 in. Jack. Well, fine, but I will watch that movie only if it is the last one on earth and I need the distraction.

Mortality and Christopher Hitchens

In his recently released book Mortality, Christopher Hitchens tells the story of how British journalist John Diamond chronicled his battle with cancer in a weekly column. Hitchens confesses like many other readers, he quietly urged him on from week to week. He says,

But after a year and more…well, a certain narrative expectation inevitably built up. Hey, 
miracle cure! Hey, I was just having you on! No neither of those would work as endings.
Diamond had to die; and he duly, correctly (in narrative terms) did. Though – how can I put this?- a stern literary critic might complain that his story lacked compactness toward the end.
Hitchens’ own story was more elegantly structured. He told it in 7 essays published in Vanity Fair and now collected posthumously in this small book.

Mortality describes his initial collapse in a New York City hotel room during a tour in support of his latest book, Hitch 22, in early June 2010, saying of the emergency responders:

I had time to wonder why they needed so many boots and helmets and so much backup equipment, but now I view the scene in retrospect I see it as a very gentle but firm deportation, taking me from the country of the well across the stark frontier that marks off the land of malady.

He dislikes the use of the metaphor of battle, fight or struggle to describe what ensued after he was diagnosed with metastatic oesophageal cancer. He says

Myself I love the imagery of struggle. I sometimes wish I were suffering in a good cause, or risking my life for the good of others, instead of being a gravely endangered patient.

But sitting “while a venom sack gradually empties itself into your system, the image of the ardent soldier or revolutionary is the very last one that will occur to you.” And yet his dispatches from the Land of Malady are full of his customary wit and irony. His wife, Carol Blue, reports in the book’s Afterward that he wrote the jottings now collected as chapter 8 in bursts of energy and enthusiasm, his computer perched on the food tray of his hospital bed. He continued to hold court whenever he was hospitalized, “making a point or hitting a punchline for his “guests”, whom he treated like “participants in his Socratic discourses”. He had always been a great raconteur, as well as a bon vivant. He had an encyclopedic knowledge and a rapier-like intelligence. And he could hold his liquor. After an 8 hour dinner, he would rise to toast the assembled motley crowd with “a stirring, spellbinding, hysterically funny twenty minutes of poetry, limerick reciting, a call to arms for a cause and jokes. ‘How good it is to be us’, he would say in his perfect voice.”

I started reading him in Vanity Fair, after many years of avoiding his work and like many others, I was immediately won over. I avoided him because he had betrayed me. For many years he had espoused causes dear to my heart, workers’ rights among them, what might be called leftwing views, but then after 9/11, he made a sharp turn right and supported the war in Iraq, believing the now disproved weapons-of-mass-destruction premise. Not to mention, he dissed Mother Teresa and rounded on Salman Rushdie, when Rushdie, under fatwa pressure, published “Why I have Embraced Islam”. I read the rebuttals that his friend Martin Amis wrote and imagined, in my innocence, that Amis was actually alienated from Hitchens. I was wrong. Amis remained his great friend, Rushdie was at Hitchens’ memorial and Mother Teresa – well that goes without saying.

Hitchens was a famous atheist, author of god is Not Great, and on his last Thanksgiving Day in November 2011, he was in my town, Toronto, debating his point of view with Tony Blair, the former British prime minister and recent convert to the Catholic Church. Hitchens arranged Thanksgiving dinner for his family and friends here and by all accounts carried the day in the debate.

His reaction to the Christopher Hitchens Day of prayer on September 20, 2011 involved wondering exactly what was being prayed for – his survival, his redemption? He examined the nature of prayer -the importuning of an omnipotent being to suspend His laws of nature for personal benefit- and found the practice specious. He noted that certain religious zealots had pronounced that his illness was God’s punishment and in short order analyzed the ill-logic and cruelty of that by citing blameless children suffering from cancer. He said there would be no deathbed conversion and told of Voltaire being badgered as he was dying to renounce the devil, whereupon the great thinker replied, “that this was no time to be making enemies”.

The best gift that Hitchens gave me, besides many good laughs, was the realization that I can listen to a point of view I don’t agree with, indeed that I might find contrary and wrongheaded although, of course, he said much that I found true.

He concluded an essay on The Great Gatsby by saying, “It remains ‘the great’ because it confronts the defeat of youth and beauty and idealism and finds the defeat unbearable and then turns to face the defeat unflinchingly”.  He died on December 15, 2011 at the age of 62. HIs unflinching voice goes on.

Motherhood: savage longing

Robert Thurman, renowned Buddhist and scholar, and famous Uma’s father, writes in The Jewel Tree of Tibet about an unusual way to learn compassion. While you are sitting in a subway car or bus, look around and realize that everyone you see has, in the course of repeated lifetimes and in some form or other, been your mother.

But will we ever forgive each other?

Earlier this year, I bought Colm Toiben’s new book called New Ways to KIll Your Mother, a title that dismayed at least one mother I know.

Toiben is an Irish novelist and critic, who has written here a series of book reviews or essays in which he explores how we treat parents, particularly mothers, in our novels. He notes that 18th century novels rarely feature mothers. It is true that 10% of women died in childbirth then, but still, it seems unusual especially since motherhood was then beginning to be idealized. Yet “the novel is a form ripe for orphans”. He quotes Ruth Perry, a critic, who says that this “may derive from a new necessity in an age of intensifying individualism.”

(That darned individualism, so marked in 2 year-olds, and 14 year-olds, and … oh, never mind.)

Jane Austen’s last three novels have no mothers. Her great success Pride and Prejudice has Mrs Bennet, Elizabeth’s social climbing, hysterical, embarrassing mother, whose husband escapes into his study. (Wait, doesn’t that sound like someone I know?) Aunts were permitted in many motherless stories, including those of  Henry James. They might be kindly as Elizabeth’s or autocratic as Darcy’s, or manipulative, but they were surrogates, not the real mother McCoy.

The middle section of Toiben’s book concerns Irish writers, including the poet W.B. Yeats, whose essay is subtitled, “New Ways to KIll Your Father”. Yeat’s father, an successful artist sounds almost as annoying as Mrs Bennet. He confidently wrote from New York to explain a brilliant book he expected to write and publish to great acclaim. Yeats, who had put in a long and painful writing apprenticeship, refrained from dashing his father’s hopes -and thereby presumably killing him. Instead he waited a long while, during which time no such book materialized and then responded in a restrained manner.

J.M. Synge, Irish playwright (The Playboy of the Western World, Riders to the Sea) and co-founder of Irish theatre, had a formidable mother who preached damnation at all three daily meals and organized his short life when he wasn’t escaped to Paris. Much as he disdained her ‘rule’, he followed her every summer to the family’s summer place. And much as she, an Irish protestant, abhorred his atheism, she continued to give him house-room. Despite disdain, he kept on coming back.

“Samuel Beckett Meets His Afflicted Mother” tells us of the author of Waiting for Godot and his mother. Apparently, she tended to be depressed. (Imagine that -the Becketts were depressed!) Beckett eventually also fled to Paris and insisted on remaining during the Nazi occupation. He wrote the following in 1937 while his mother was away traveling: (She had of course left her cook in place and Samuel continued to enjoy life good food.) “I don’t wish her anything at all, neither good nor ill. I am what her savage longing has made me….. I simply don’t want to see her or write to her or hear from her…”

“Savage longing” indeed. Sound like a mother you know?

In the interests of full disclosure, I ought to admit that I am a mother. But, of course, you knew that.

A few weeks after I became one, I sneaked off to the doctor, leaving my newborn in the care of her father. There I sat and wept that she hated me already. Stupid man, he just laughed and assured me that soon we would be deeply attached. We were and we are – from time to time. Did I say that out loud? At present, we have entered a Pax Romana or a  long Victorian empire of peace. I have finally matured.

Her brother, on the other hand, is in a Beckett phase, although he is cordial enough at weddings and funerals. Funny how infrequent they are.

It is quite breathtaking when our beloved off-spring begin as they say to “individuate”. Humbling of course. After the momentary slights and cuts of childish insults, we endure a decade where we are ill-informed if not actually stupid, uncool, unfashionable and just generally out of date. We may or may not suddenly improve when the child is 21.

Apologies to Robert Thurman, but no wonder we have such a problem with each other! If we have all been each other’s mothers, we’ve got history.

On her death bed, my own mother had what looked like a large ruby on her upper lip. She was about to slip into a coma. She looked at me and moved her dry mouth silently. I wiped it with a wet cloth. Than she found her voice. “I need a present,” she said.

And my heart filled with compassion.

Macmeth: Walter White begins his tragic fall

“Macmeth” turned up as a search word used to get to my blog 115journals.com, so I decided to put it into Google myself. There I found a series of short videos posted on Youtube, beginning with the 3 witches in a decidedly un-90%-pure lab, said witches sporting southern drawls and declaiming really bad lines. On a later post, we were told these scenes were intentionally bad. Wise disclaimer. I once had a grade 11 class that did a Jamaician Macbeth, which was really funny and also referenced illegal substances. Alas, we were living in the dark ages then and it didn’t make it to Youtube.

Here you are if you are interested: http://www.youtube.com/watch?v=X1dMc4azxQQ.

This post is a follow-up to my previous post, “Walter White: A Macbeth for our time” in which I looked at the protagonist of Breaking Bad and compared him to Shakespeare’s Macbeth.

Now to get back to Walter White. SPOILER ALERT! If you haven’t watched Sunday, Sept 2nd’s show, turn back, turn back!

Unless like me, knowing the ending just adds to your pleasure. Yes, I read the end of novels first, even sometimes mysteries. So you see I am in a unique position: I understand the pure evil that lurks in the human heart: evil bad enough to read endings first.

It was Tuesday morning before I could sit down to watch. I had had my admin assistant (Joyce) clear my calendar. Then I had the cook (Joyce again) prepare me a light lunch and serve it to me (Guess who? Joyce) in front of the television set. It takes a lot of person-power to keep the renowned critic going. I wasn’t unprepared, my sister, Georgia took time out of her birthday celebration to describe the entire plot of “Gliding Over All”, the final episode in this half of season five, the last season.

Look at the reviews and you will see that people are seriously ticked off at Walter. He didn’t actually shoot the kid on the dirt bike in the desert, who saw them robbing the train of thousands of gallons of the meth precursor. That was trigger-happy Todd. And it is possible that if the child had been allowed to live, he wouldn’t have caused a problem. After that, Jesse had a breakdown and refused to continue as Walt’s assistant cooker. Mike, who was in charge of distributing, also opted out, but, alas, Hank, Walt’s DEA brother-in-law, seized Mike’s money. When Mike sought to flee, he didn’t get far. Walt suddenly shot him in the stomach and he died sitting on a river bank, saying, “Let me die in peace”.

By now Walt has not only contributed to the inevitable decline of all his blue meth users, he has had Jesse kill his rival Gale Boetticher, he has poisoned a child with Lily-of-the-valley, he has arranged for a paralyzed pensioner to blow himself up taking his archenemy Fring with him, blown up Fring’s state of the art meth lab -complete with eyewash stations and safety equipment, robbed a train, allowed the boy’s murder, shot Mike and in this episode, arranges for the murder of 9 of Mike’s crew and their lawyer.

How does that stack up against Macbeth? Well, he began by carving up his king who was his cousin, who had honoured him lately with a new title and who was a guest in Glamis, Macbeth’s castle. He went on to eliminate his friend and fellow officer, Banquo, but failed to kill Banquo’s son, Fleance. He attacked Macduff’s castle and finding that Macduff had fled to England, made do by murdering Lady Macduff and their children. Meanwhile he ran the country into the ground. The people turned against the once popular general and a great military force was being marshalled to invade Scotland.

Is Macbeth worried? No. For the three witches have promised that no man born of woman could kill him and that he will reign until Birnam Woods shall come to Dunsinane. He hadn’t apparently heard of Caesarean birth, although Macduff had and even those who never read the play can figure out how a woods can move. By then Macbeth is grief-stricken over his lady’s suicide. He’s has had enough. He cries, “Lay on Macduff and damned be he who first cries hold, enough!”

I have been known to cry that myself.

So what of Walter White? Certainly he is a tragic hero about to meet his downfall. There is speculation that his cancer has come back. After his MRI he looks at the towel holder in the washroom that still bears the imprint of his fist, but he is completely controlled. Something is going to knock him off his prideful perch. The cancer? Some disaster relating to a child of his? Some machination of Lydia who thinks she has a deal that he will supply the Czechs with his great product? How can he in fact step back out of the meth business?

And then there is Hank who has discovered an inscription in a book in Walt’s bathroom, a book of Walt Whitman’s poems, that leads him to remember the “W.W” in Gale Boetticher’s notebook and what Walt said about it. Whatever else happens in next summer’s season, Hank will have to pursue Walter, without somehow bringing himself down in the process.

Ah, those were simpler times, back in Macbeth’s day. Evil comes in more shades now, not those 50 shades of gray, but black and ever blacker.

The worst downfall might be that Walter gets to live with what he has done.

Jack Reacher -Wandering Taoist

In my last post “How I developed ‘Low Tastes’ in Reading, I mentioned that I was hooked on Lee Child’s Jack Reacher thrillers, to my dismay. Then, wouldn’t you know it, I found a justification: Jack Reacher is a wandering taoist.

It was reading # 156 in Deng Ming-Dao’s 365 Tao:Daily Meditations* the one for June 5th that clued me in to what I should have realized before.  (* Available at Amazon.com)

Inseparable: The trunk is hollow,/But the branches live./The void is fundamental,/But the ten thousand things are diverse./ Therefore wanderers free themselves of cares/And follow Tao in great delight.

In the ensuing explanation, Deng tells us that we can know all of Tao’s manifestation by travelling through the world. All experience is the experience of Tao. Those who follow it, divest themselves of ego and ambition and follow its flow throughout the land, moving from place to place as they sense the direction of its vital flow. “These wanderers have glimpsed the void that is in them and in all things. They delight in life but never see more than the void.”

As a volunteer, I once took a phone call from a very serious young man who wanted me to tell him what Taoism was. I replied civilly, I hope, that to answer would take longer than the average phone call and, besides, it was beyond me. Short answer -Tao is the stuff of life, the energy that animates it. Taoists believe in the supremacy of nature and the necessity of living by its laws, in particular the cycles of change. They understand that whatever is full and rich will decline in time and whatever is empty and poor will rise in turn. Taoists don’t talk about God in spite of reverence. Should they search for God, they would look, not in a book, but within.

I would say they are practical and work things out as they go along rather than adhering to doctrine. This story illustrates that: a Buddhist, a Confucian and A Taoist were meditating when mosquitoes began buzzing around their ears. The Buddhist let a mosquito bite him without protest. The Confucian slapped and killed his mosquito. The Taoist waved his mosquito away. When that didn’t work, he moved to another room. When the mosquito followed him there, he killed it. Taoists  prefer not to interfere unnecessarily but act instinctively when necessary.

It seems to me that many people are Taoists at heart, although they never identify as such. Joseph Campbell, for example, warned against being co-opted by the system. Systems prevent us from personal assessment and self-determination. They also enable us to succeed in our careers, attain wealth and social standing. Opting out has rather the reverse effect.

The fictional Jack Reacher attained the rank of major as U.S. military police officer. Then in 1997, he left that system over a moral disagreement, just short of being deployed to outer Thule or its equivalent. His pension is paid into a D.C. bank and accessed on the road. He doesn’t own a car, drives badly and flies only when he can’t take a bus or hitchhike, across the Atlantic, for example. He travels the United States according to whim, once deciding to follow a diagonal line from the north east to San Diego. He carries no baggage, except that folding toothbrush, I mentioned last time. When his clothes need washing, he buys new, cheap, sturdy shirts, pants etc. and throws the old ones away. he reckons that when you factor in the cost of a washing machine, dryer and the dwelling to contain them, not to mention the soap, he still comes out ahead. Nevertheless, he is a clean person, showering thoroughly in the cheap motels he chooses, although when he still wore his Class A’s complete with Purple Heart and Silver Star, he was not above cadging first class digs at the army’s expense.

Wherever he goes- Mississippi, Kansas, Colorado, he finds trouble or it finds him. Often all he does is step down from his ride, when the locals take agin him and try to run him out of town. Usually it is a very small town with its own ingrained and deeply corrupt system. But at 6’5″ and 250 lbs. and with some serious brawling smarts, the system’s minions don’t have much success throwing him out. Pretty soon, he has identified the nature of the corruption and its victims. He believes as he was taught that the best fight is no fight at all, but when a fight is necessary, he strikes first and dirty. In The Affair, he chides the rednecks who take him on for bringing only 6 men and takes them down readily. And they aren’t even the real enemy, just wrong-headed and misinformed.

I gave up watching boxing when I was 20 and now it just makes me think ‘concussion’, but Lee Child’s fight descriptions are choreography on paper. I would love to know how he knows all this stuff. Does he practise it the way I practise tai chi?

Jack Reacher can be counted on to right some wrongs before he blows out of town and to  leave behind more wisdom than he found there, that is for those who survive. The guiltiest may meet sudden ‘accidental’ ends, which cause Reacher neither remorse nor even a backward glance. He bids goodbye to his latest woman just as readily.

Now the purists among you may object that he also has sex on a regular basis. I counter, never indiscriminately and always on the basis of respect and affection as well as healthy desire. Besides Taoists are not purists. If they claim to be, that’s your first clue.

Jack Reacher looks into the void. The void looks back. That’s okay with him.

How I Developed ‘Low Tastes’ in Reading

For many years I was a reading snob. Certain kinds of books were just beneath my notice. What can I say? I couldn’t help it. I majored in English literature.

Initially, I just read everything I could get my hands on adventure, romance, historical fiction. As a teenager, I worked as a ‘page” in a library, ‘carding’ returned books and shelving them. (In those days, you could actually tell who had borrowed that book before you by their signatures on the card in the pocket inside the cover.) I carted home huge piles of books, the maximum allowable. I read all the 19th century British novels I could find and then 20th century Americans. I would choose an author like Bernard Shaw and just strip-mine his work and then I would move on to biographies about him. Clearly, there was either no television in those days or there was nothing good on.

Eventually, I was too busy balancing motherhood and teaching to read that much and anyway television got better. I still bought the latest work by Margaret Atwood or Margaret Lawrence or Robertson Davies and Alice Munroe. I was a great Can Lit supporter. (That’s Canadian Literature to the rest of the world.) Atwood had written a book called Survival in which she said that the central theme in all Canadian novels was survival. She could be right, I thought, and I was getting tired of that grimness. Anyway reading had become more of a special event than an obsession, mostly carried out in the half hour before I put my head down to sleep.

The ‘best’ novels began to pall, mainly because I was teaching them. Over and over and over. I knew 1984 and Tess of the D’Urbervilles and Lord of the Flies and Catcher in the Rye by heart. Reading David Copperfield or Jane Eyre or even beloved Wuthering Heights began to have as much appeal for me as water boarding. And so I took my first step down that slippery slope. I started reading fantasy.

I blame J.R.R. Tolkein. One summer when I commuted to a job marking exam papers, an exercise in brain torture if ever there was one, I buried myself in The Fellowship of the Ring before the train left the station and stayed mercifully oblivious until I got off. The really wonderful thing about this book was that it was the first book in a trilogy. Besides the best reviewers approved of Tolkein and his buddy, C.S. Lewis’s Space Trilogy, beginning with Out of the Silent Planet and the Narnia books.

Having given myself permission to read fantasy, I carried on. I read all the books by Carlos Castaneda who vowed that his teachings of don Juan were strictly factual. I entertained the idea that with the requisite spiritual training, I too could fly across canyons. It was a close as a person of my generation got to L.S.D. Eventually, I took up Ursula K. Le Guin who wrote several series and inevitably Harry Potter. I am tempted to blame that on grandchildren, but it wouldn’t be true. Then J.K. Rowland stopped writing.

For a time, I belonged to a book club, five women who met at each others’ houses once a month and talked about a given book. We read The Kiterunner and Saturday, Reading Lolita in Tehran and Ravelstein. We read Booker prize winners, spare, mannered tomes like On Chesil Beach, The Gathering and Banville’s The Sea.  Several members revolted and in response we read In the Company of a Courtesan. In the end, I didn’t want to have my reading assigned to me and I didn’t want to have to go back over the book to find points for discussion. Most of all, I hated the discussion questions that some books now included at the back. True I had taught English but I couldn’t come up with the first thing to say in response to such questions as “Does old age always harden beliefs?”

One day a friend told me she was reading a mystery set in Italy by Donna Leon. This friend was a notorious snob about reading, so I took this as permission granted. I had been reading reviews of mysteries for years, so I knew where to start: P.D. James, Ruth Rendall and Elizabeth George, so called cozy mysteries, set in England, a substantial body of work separately and several years of reading altogether. Then I moved on to Henning Mankell’s Swedish Detective Wallender and Ian Rankin’s Scots Detective Rebus. They were both heavy drinkers, divorced, the father of daughters and singularly morose. Must be the North  Sea influence. It turned out that there were other Swedish detectives – Edwardson’s Eric Winter and Steig Larsson’s computer whizz with the dragon tattoo, as well as Icelandic detectives (Arnaldur Indridason’s), Canadian detectives not to mention American detectives and pathologists.

At a certain point my sister joined me – actually at the cozy mystery stage- and we agree that some are better than others. I like Michael Connelly’s Harry Bosch books because they are set in Los Angeles and I recognize the settings, but we agree that his books are not as good as some. Such mysteries or police procedurals are written to formula, but it’s a good formula: a detailed and realistic setting that makes us feel as if we have been there, a puzzle to solve, and clues that make the final outcome believable. The reader can be confident of a certain kind of good read. Then from book to book in a detective series, we follow the detective’s character arc.

It was when we embarked on our current Lee Child marathon that I began to worry. Child’s hero is Jack Reacher, a former U.S. military policeman, in his own words, more of a brawler than a warrior, who travels across the country with nothing but a folding toothbrush, encountering dire situations and resolving them by his own means. Searching for a new Reacher book, I discovered they were not shelved in the mystery section and this was because they were classified as thrillers.

Oh, how the mighty have fallen! And I had to admit, not only that the average mystery caused a little uptick in adrenaline, but also that Lee Child’s books are so positively charged that they are addictive.

Right now I am nearing the end of his second last book, The Affair, set in Mississippi in 1997, earlier than all of the others but one. In it, we learn why he is no longer a serving major, be-medalled though he was.

Is there a reader’s hell supervised by an old-fashioned librarian with a pitchfork just waiting to catch me in my fall?