Suppose you were told you couldn’t go out of your house, in my case because I was over 70?

Oh, you were told that too?

I had been stocking up my pantry ever since the plague hit Italy. China, that didn’t phase me. I didn’t actually believe in China even though people were literally locked in. Doors were chained shut. But I didn’t worry until they started piling bodies in cathedrals and ice rinks in Italy and Spain.

Then our provincial (state) premier (governor) announced that I couldn’t go out and neither could my sister, who had promised to look after me when I – inevitably – needed looking after. Trouble was she was over 70 as well. So I went to Colombia.

Now don’t make trivial protests about airlines and no-cross-em borders.

I had been to Colombia in the early 70s with Gabriel. I didn’t know him well and I was not sure it was a wise idea, but like him, I fell in love with the Magdalena River. We traveled up and down the river several times, in A Hundred Years of Solitude and in Love in a Time of Cholera.

I know that was a cheap trick, but how else could I convey the idea of that lovely paradise lying across the equator: a jungle, grasslands, hundreds of rivers draining from the second highest mountains in the world into the biggest river on earth, a place of snow and ice and fire, a country with more unique plant life than any other, a place of gold and emeralds, of coca, cocaine, poppy and heroin, of incalculable cruelty and death whose people still sang and danced.

A country where a 13-year-old girl could keep three young siblings, one a babe in arms, alive in the jungle for six weeks.

In March 2020, I read an article about Wade Davis, a Canadian cultural anthropologist and ethnobotanist, who had written Magdalena: River of Dreams. That was very early in the Covid Pandemic and it was hard to get delivery, except from Amazon. On that occasion, I had nothing more to read and would have had a full-on panic if my local library had not had the capacity of loaning out e-books. I summoned this book while sitting in bed and was a quarter of the way through it before I fell asleep.

When I finished it. I started it again.

At the end of second reading, grocery stores started opening at 7 a.m. for the elderly. By then, I was sizing up the kitchen chair legs which my long ago Newfie dog had chewed down to their marrow. My stash of frozen bread had given way to boxed crackers and I was eating way too much rice.

I had also discovered The Thief of Memory by Michael Jacobs, another book about the Magdalena River. Once again, the book was readily available over the ether from the library.

We were all sure that by summer the Covid epidemic would be over. I had made face masks from large hankies and the elasticized tops of socks, and I washed my hands like a fiend. Hospitals were more or less holding their own in my area and both Davis and Jacobs had written several books about Colombia. After all, wasn’t it nice not to have to keep appointments. I didn’t dwell on the idea of cavities or cataracts, or fibrillation or the recurrence of diseases that tend to recur. I was so happy reading that I thought that it might be fun to write my own book.

Pretty much everybody was talking about whether pandemics and climate change meant the end of the world. Why not write about that and set the story in Colombia?

Why Colombia? Colombia is lovely and has magic realism.

SOON BY ETHER OR PAPER – I Trust You to Kill Me by J.A. Howe