Awake, I lack imagination. Asleep, I dream whole new worlds. Unfortunately, I do my writing awake. And so, I identify with Sheryl Crowe’s ‘worst kind of thief’.
In her song, The Book, Sheryl Crowe (from her 1996 self-titled album) sings that she read the book and discovered she knew that girl in it ‘a little too well’. She’ll always remember three days in Rome. She got “written down, sliced around, passed down among strangers’ hands”. She ‘laid her heart out, laid her soul down’. She learned that ‘the love you once made/can’t be undone’. ‘Will I get revenge?’ Well yes. By writing this song.
I longed to find proof that this was autobiographical. It seems too heartfelt to be fiction. But I didn’t.
Why do I care? I “carry a pen and a paper” and “no words I waste”.
I started writing my mystery Hour of the Hawk, when I spent several months in a California mountain village waiting out a family problem. My amateur detectives are two elderly women who set about finding out who is terrifying the town with acts of ecological terrorism, which steadily grow more deadly. I modeled one of them on a friend.
Clara was a disarming little old lady, cute, with flashing blue eyes and a lovely smile. She had a great schtick. She could seem charmingly helpless-a girl just out in the world, or alternately, a slightly confused elder. The first week she was in Bear Mountain Place, a woman stuck $10 in her purse and told her to buy herself a decent meal.
“Why did she do that?” Clara asked me.
“Generosity,” I said. “But next time tell her you need $20 for a decent meal up here.”
I shamelessly stole other identities as well. Two of these people read the manuscript, and, although they both offered advice, neither objected to the theft. ‘Clara’ still had not read the book when I published it as an e-book on Amazon. Since she didn’t have a tablet, she still couldn’t. Then in February, I published Hour of the Hawk through Amazon’s Print on Demand. Now she could read it.
I’m such a coward that I tried the indirect approach. None of her close relatives would hazard a guess about how she’d react. Fictional Clara is hard of hearing and sight, so much so that the villain of the piece – or one of them at any rate – is able to sneak past here while she is watching television. Real Clara has had her vision corrected, but has also fore-sworn her hearing aids on the grounds that elderly fingers can’t handle tiny, tiny batteries. Would my friend resent these handicaps being used for humor?
The other amateur sleuth, Joanna Hunter, can’t recognize faces, a disability I am familiar with.
So I found my courage and wrote Clara a long letter, explaining my concern and enclosing a sample or two.
Then Jesus, the cable guy, arrived.
His card read Jesus Morales, Direct T.V. He pronounced it for me, Hesus.
“Hesus, Hesus,” I kept repeating to myself. I wasn’t used to Jesus as an ordinary name. I wasn’t used to Hispanic accents. I could understand Chinese or West Indian accents, and, of course, South Asian, but not Spanish.
He wasn’t used to Canadian accents. He didn’t understand ‘rooof’, so I had to say ‘ruf’. We kept asking each other to repeat. I held the record. I just didn’t get Hesus.
“Sit down. Why don’t you sit down?” Reg/Doug called to me.
Clara could tear herself away from them only for a moment. “Joanna can show you whatever you need,” she told Hesus.
He turned on the new 70-inch television set. It hung on the wall in front of the couch where Clara and her company sat. We were all jammed into a ten-foot wide space, crowded with unpacked boxes. When the sound came on, Clara cried out, “I’ll never be able to hear that.” So Jesus turned the volume up and up, until Clara was satisfied. The screen told us the volume was 87. Then she and the ‘boys’ resumed shouting.
Jesus showed me his work sheet, and began to ask questions. A bald guy on the screen was yelling about the shoddy workmanship on a renovation. Jesus was shouting questions at me. The boys and Clara were splitting their sides at some long ago anecdote. I grabbed the remote control, and turned down the volume.
“It says one box here,” said Jesus.
“No, no. We were promised two,” I said. “There’s another set in a bedroom. Colin talked to the company several times. There are to be two boxes.”
Then I moved Jesus over near the utility room, so I had access to the landline.
“Oh, Jesus-with a J-God, I’m going to lose my mind,” I thought.
Once I’d got hold of Colin, I handed the handset to Jesus, and locked myself in my bathroom.
It didn’t work. I had to come back out into the din. Jesus called.
When I came out, he assured me everything was all right now. The bedroom set was working as well. I dragged Clara away from the boys, explained what had been done, and asked her to sign her name. Suddenly, she decided she should take charge, and began to ask questions that had been answered an hour ago. Jesus tended to mutter in his thick accent.
“Do I have two boxes? Colin said I would get two boxes.” She went into my bedroom and came out. “There’s just this tiny thing in there, no real box.”
Jesus began to reassure her that both sets worked, independently of each other
“You’ll have to speak louder,” I told him.
He started shouting. I searched frantically for the remote control, found it at last on top of a pile of boxes and pushed mute. I gestured at the boys who were laughing with each other. Now there were only two voices shouting.
It took a week for the letter to escape the confines of Canada Post and the U.S. Mail and end up being released into Clara’s California post office box. Yes, she wanted to read it, I heard. A mutual friend handed her a print copy. I waited for her verdict.
“I’m so flattered,” she said when she called.
I have started writing the second Joanna Hunter mystery and Clara, who will soon be 90, will be part of it.
The e-book version of Hour of the Hawk is free to download on Mother’s Day May 13/18 and May 14/18. If you decide to read it, please leave a review on Amazon. The print edition is also for sale.